← Willard White
On My Journey Now
Willard White
The Paul Robeson Legacy · 2002
Scandalise My Name
Joe Hill
Go Down Moses
Got the South in My Soul
Lazy Bones
Eriskay Love Lilt
Didn't My Lord Deliver Daniel
All God's Children Got a Robe
Ezekiel Saw the Wheel
Mood Indigo
Witness
Tres conejos
Royal Liverpool Philharmonic Orchestra, Sally Burgess, Jerry Hadley & Willard White
The 7″ Singles · 2022
Symphonische Gesänge, op. 20: VII. Arabeske
Willard White, Koninklijk Concertgebouworkest, Riccardo Chailly
Anthology of the Royal Concertgebouw Orchestra, Volume 6: 1990-2000 · 2011
Symphonische Gesänge, op. 20: VI. Afrikanischer Tanz
Symphonische Gesänge, op. 20: V. Erkenntnis
Symphonische Gesänge, op. 20: IV. Übler Bursche
Symphonische Gesänge, op. 20: III. Totes braunes Mädel
Symphonische Gesänge, op. 20: II. Lied der Baumwollpacker
Symphonische Gesänge, op. 20: I. Lied aus Dixieland
Belshazzar's Feast
BBC Symphony Chorus, Leeds Festival Chorus, Willard White, BBC Symphony Orchestra, Sir Andrew Davis
BBC Music, Volume 7, Number 11: Walton: Belshazzar’s Feast / Vaughan Williams: Fantasia on a Theme by Thomas Tallis · 1999
Acis and Galatea, HWV 49 (First Version): Act Two. No. 22 Chrous: "Galatea, dry thy tears, Acis now a god appears!"
Norma Burrowes, Paul Elliott, Martyn Hill, Anthony Rolfe Johnson, Willard White, English Baroque Soloists, John Eliot Gardiner
Handel: The Great Oratorios · 2016
Acis and Galatea, HWV 49 (First Version): Act Two. No. 20a Solo and Chorus: "Must I my Acis still bemoan, inglorious crush'd beneath that stone?" (Galatea)
Acis and Galatea, HWV 49 (First Version): Act Two. No. 19 Chorus: "Mourn, all ye Muses! Weep, all ye swains!"
Acis and Galatea, HWV 49 (First Version): Act Two. No. 17 Trio: "The flocks shall leave the mountains" (Acis, Galatea, Polyphemus)
Norma Burrowes, Anthony Rolfe Johnson, Willard White, English Baroque Soloists, John Eliot Gardiner
Acis and Galatea, HWV 49 (First Version): Act Two. No. 13 Air: "Cease to beauty to be suing" (Polyphemus)
Willard White, English Baroque Soloists, John Eliot Gardiner
Acis and Galatea, HWV 49 (First Version): Act Two. Recitative: "Whither, fairest, art thou running" (Polyphemus, Galatea)
Norma Burrowes, Willard White, English Baroque Soloists, John Eliot Gardiner
Acis and Galatea, HWV 49 (First Version): Act Two. No. 12 Air: "O ruddier than the cherry" (Polyphemus)
Acis and Galatea, HWV 49 (First Version): Act Two. No. 11 Accompagnato: "I rage, I melt, I burn!" (Polyphemus)
Acis and Galatea, HWV 49 (First Version): Act Two. No. 10 Chorus: "Wretched lovers! Fate has passed this sad decree"
Acis and Galatea, HWV 49 (First Version): Act One. No. 2 Chorus: "Oh, the pleasure of the plains!"
Acis and Galatea, HWV 49a: Act Two. 22. Chorus: “Galatea, dry thy tears”
Norma Burrowes, Paul Elliott, Anthony Rolfe Johnson, Willard White, Martyn Hill, English Baroque Soloists, John Eliot Gardiner
Acis and Galatea · 1978
Acis and Galatea, HWV 49a: Act Two. 20. Air with Chorus: “Must I my Acis still bemoan” (Galatea)
Norma Burrowes, Martyn Hill, Paul Elliott, Anthony Rolfe Johnson, Willard White, English Baroque Soloists, John Eliot Gardiner
Acis and Galatea, HWV 49a: Act Two. 19. Chorus: “Mourn, all ye muses! weep, all ye swains”
Norma Burrowes, Anthony Rolfe Johnson, Paul Elliott, Willard White, Martyn Hill, English Baroque Soloists, John Eliot Gardiner
Acis and Galatea, HWV 49a: Act Two. 17. Trio: “The flocks shall leave the mountains” (Galatea, Acis, Polyphemus)
Acis and Galatea, HWV 49a: Act Two. 13. Air: “Cease to beauty to be suing” (Polyphemus)
Acis and Galatea, HWV 49a: Act Two. 12. Recitative: “Whither, fairest, art thou running” (Polyphemus, Galatea)
Willard White, Norma Burrowes, English Baroque Soloists, John Eliot Gardiner
Acis and Galatea, HWV 49a: Act Two. 12. Air: “O ruddier than the cherry” (Polyphemus)
Acis and Galatea, HWV 49a: Act Two. 11. Accompagnato: “I rage - I melt - I burn” (Polyphemus)
Acis and Galatea, HWV 49a: Act Two. 10. Chorus: “Wretched lovers! Fate has past”
Norma Burrowes, Paul Elliott, Anthony Rolfe Johnson, Willard White, English Baroque Soloists, John Eliot Gardiner
Acis and Galatea, HWV 49a: Act One. 2. Chorus: “Oh, the pleasure of the plains!”
Norma Burrowes, Paul Elliott, Willard White, Anthony Rolfe Johnson, Martyn Hill, English Baroque Soloists, John Eliot Gardiner
Die ägyptische Helena, op. 75: Zweiter Aufzug. "Ewig erwählt von diesem Blick!"
Dinah Bryant, Barbara Hendricks, Gwyneth Jones, Matti Kastu, The Kenneth Jewell Chorale, Willard White, Detroit Symphony Orchestra, Antal Doráti
Die ägyptische Helena · 1991
Die ägyptische Helena, op. 75: Zweiter Aufzug. "Mein Geliebter! Melenas!"
Gwyneth Jones, Matti Kastu, Willard White, Detroit Symphony Orchestra, Antal Doráti
Die ägyptische Helena, op. 75: Zweiter Aufzug. "O dreifache Törin!"
Barbara Hendricks, Gwyneth Jones, The Kenneth Jewell Chorale, Glenda Kirkland, Betty Lane, Willard White, Detroit Symphony Orchestra, Antal Doráti
Die ägyptische Helena, op. 75: Zweiter Aufzug. "Aus flirrender Stilte was naht heran?"
Gwyneth Jones, Matti Kastu, The Kenneth Jewell Chorale, Curtis Rayam, Willard White, Detroit Symphony Orchestra, Antal Doráti
The Seafarer
Trio Apaches, Willard White
The Seafarer · 2016
Don Giovanni, K. 527: Act II, Commendatore scene
John McCarthy, Ambrosian Singers, Richard Stilwell, John Tomlinson, Willard White, Academy of St Martin in the Fields, Sir Neville Marriner
Amadeus · 1984
Le Nozze di Figaro (The Marriage of Figaro), K. 492: Act III, Ecco la Marcia
Isobel Buchanan, Felicity Lott, Samuel Ramey, Richard Stilwell, Willard White, Academy of St Martin in the Fields, Sir Neville Marriner