Artist
솔로 · Germany
이 아티스트가 연주·작곡·프로듀싱 등으로 참여한 곡과 앨범
Estrellita
María Dueñas, Itamar Golan
Homage to Heifetz · 2026
La chevelure (from Chansons de Bilitis)
La plus que lente
La fille aux cheveux de lin (from Préludes I)
María Dueñas, Orquesta Sinfónica Simón Bolívar, Gustavo Dudamel
Violin Concerto in D major, op. 35: 3. Finale. Allegro assai vivace
Violin Concerto in D major, op. 35: 2. Romance. Andante
Spirits
Johannes Brahms, Claude Debussy, Edward Elgar, Manuel de Falla, Christoph Willibald Gluck, Fritz Kreisler; Daniel Lozakovich, Stanislav Soloviev
2023 · 정규
Six Nocturnes, op. 186: VI. Allegro moderato
Lilit Grigoryan, Hiyoli Togawa
Romantic Viola Sonatas · 2018
Six Nocturnes, op. 186: V. Adagio con molta espressione
Six Nocturnes, op. 186: IV. Allegretto, ma un poco vivo
Six Nocturnes, op. 186: III. Poco adagio
Six Nocturnes, op. 186: II. Allegretto, ma un poco vivo
Six Nocturnes, op. 186: I. Larghetto
The Chopin Ballades & Scherzos
Fryderyk Chopin; Arthur Rubinstein
1984 · 정규 · 컴필레이션
Rhapsody in Blue
George Gershwin; Earl Wild, Boston Pops Orchestra, Arthur Fiedler
1967 · 정규
Concerto Nr. 4 f-Moll, RV 297 »L’inverno« · »Winter«: III. Allegro
Daishin Kashimoto, Berliner Barock Solisten
Le quattro stagioni · 2026
Concerto Nr. 4 f-Moll, RV 297 »L’inverno« · »Winter«: II. Largo
Concerto Nr. 4 f-Moll, RV 297 »L’inverno« · »Winter«: I. Allegro non molto
Concerto Nr. 3 F-Dur, RV 293 »L’autunno« · »Herbst«: III. Allegro
Concerto Nr. 3 F-Dur, RV 293 »L’autunno« · »Herbst«: II. Adagio molto
Concerto Nr. 3 F-Dur, RV 293 »L’autunno« · »Herbst«: I. Allegro
Horn Concerto no. 1 / Duett-Concertino / Oboe Concerto / Andante for Horn & Piano / Stimmungsbilder nos. 2& 4
Richard Strauss; Dale Clevenger, Larry Combs, David McGill, Alex Klein, Chicago Symphony Orchestra, Daniel Barenboim
정규
Symphony no. 3
Ludwig van Beethoven; Staatskapelle Berlin, Daniel Barenboim
2000 · 정규
Homage to Heifetz
Édouard Lalo, Erich Wolfgang Korngold, Claude Debussy; María Dueñas, Orquesta Sinfónica Simón Bolívar, Gustavo Dudamel
2026 · 정규
Plays Bach: Two-Part Inventions & Three-Part Sinfonias & Toccatas
Johann Sebastian Bach, Glenn Gould
2012 · 정규 · 컴필레이션
Arpeggione Sonata / Trio no. 2
Franz Schubert; Marie-Elisabeth Hecker, Antje Weithaas, Martin Helmchen
2017 · 정규
Boulez Conducts Ravel, Vol. 3: La Valse / Menuet Antique / Ma Mere l'Oye etc.
Maurice Ravel; Pierre Boulez, New York Philharmonic, The Cleveland Orchestra
2011 · 정규 · 컴필레이션
Polychrome
세르게이 프로코피예프, Richard Strauss, Maurice Ravel; Tobias Feldmann, Boris Kusnezow
String Quartets op. 18, nos. 1 & 4
Ludwig van Beethoven; Quatuor Mosaïques
2004 · 정규
Early Symphonies, Volume 2
Wolfgang Amadeus Mozart; Concentus Musicus Wien, Nikolaus Harnoncourt
2006 · 정규 · 컴필레이션
String Quartet, op. 76, no. 3: IV. Finale Presto
Quatuor Mosaïques
String Quartets, op. 76 · 2000
String Quartet, op. 76, no. 3: III. Menuet, Allegro, Trio
String Quartet, op. 76, no. 3: II. Poco adagio: cantabile
String Quartet, op. 76, no. 3: I. Allegro
String Quartet, op. 76, no. 6: IV. Finale, Allegro spiritoso
String Quartet, op. 76, no. 6: III. Menuet. Presto. Alternativo
Well-Tempered Clavier Book I: No. 24 in B minor, BWV 869: Fugue XXIV
Schaghajegh Nosrati
The Well-Tempered Clavier I · 2022
Well-Tempered Clavier Book I: No. 24 in B minor, BWV 869: Prelude
Well-Tempered Clavier Book I: No. 23 in B major, BWV 868: Fugue XXIII à 4
Well-Tempered Clavier Book I: No. 23 in B major, BWV 868: Prelude
Well-Tempered Clavier Book I: No. 22 in B-flat minor, BWV 867: Fugue XXII à 5
Well-Tempered Clavier Book I: No. 22 in B-flat minor, BWV 867: Prelude
Piramo e Tisbe, Act II, Scene 4: Aria. Nella nera ombra di morte
Jeremy Ovenden, Akademie für Alte Musik Berlin, Bernhard Forck
Piramo e Tisbe · 2025
Piramo e Tisbe, Act II, Scene 4: Recitativo. Non m'inganna lo sguardo
Piramo e Tisbe, Act II, Scene 3: Duetto. Ah, che mirar degg'io!
Roberta Mameli, Anett Fritsch, Akademie für Alte Musik Berlin, Bernhard Forck
Piramo e Tisbe, Act II, Scene 3: Recitativo. Misera! Ove m'inoltro!
Piramo e Tisbe, Act II, Scene 2: Largo. Non sdegnarti bell'ombra diletta
Anett Fritsch, Akademie für Alte Musik Berlin, Bernhard Forck
Piramo e Tisbe, Act II, Scene 2: Aria. Già la sento