← Martin Atkinson
Leichtz, zart: no. 1 from Sechs kleine Klavierstücke, op. 19
Andrew Ball
Grade 7 Piano Exam Pieces: Recordings of the Complete 2013 & 2014 Syllabus · 2012
Danza de la moza donosa: no. 2 from Danzas argentinas, op. 2
Elena Riu
März (March): no. 3 from Die Jahreszeiten, op. 37b
Danny Driver
Berceuse de la poupée: from L’Almanach aux images
Megumi Fujita
Andantino: no. 1 from Dream Children, op. 43
Howard Shelley
Scherzo and Trio: 3rd movt from Sonata in A minor, D. 845
Melvyn Tan
Piano Piece in F sharp, S. 193
Berceuse
Presto: 2nd movt from Sonata no. 10
Allemande: 2nd movt from Suite in D minor, HWV 449
Allegro cantabile: 1st movt from Sonata in E flat, WoO 47 no. 1
Ronan O’Hora
Sonata in F minor, Kp. 467 (L. 476)
Allegro: 3rd movt from Sonata in C, K. 279/189d
Allegro: 3rd movt from Sonata in A flat, H. 13
Lieutenant Kijé Symphonic Suite, op. 60: The Burial of Kije
상트페테르부르크 필하모니 교향악단, 유리 테미르카노프
Symphony no. 5 / Lieutenant Kijé Suite · 1992
Lieutenant Kijé Symphonic Suite, op. 60: Troika
Lieutenant Kijé Symphonic Suite, op. 60: The Wedding of Kije
Lieutenant Kijé Symphonic Suite, op. 60: Romance
Lieutenant Kijé Symphonic Suite, op. 60: The Birth of Kije
Symphony no. 5 in B-flat major, op. 100: IV. Allegro giocoso
Symphony no. 5 in B-flat major, op. 100: III. Adagio
Symphony no. 5 in B-flat major, op. 100: II. Allegro marcato
Symphony no. 5 in B-flat major, op. 100: I. Andante
Messiah, HWV 56: Part III. “Worthy is the lamb that was slain – Amen”
Christopher Hogwood, Academy of Ancient Music, Christ Church Cathedral Choir, Oxford
Messiah: A Sacred Oratorio (highlights) · 1981
Messiah, HWV 56: Part I. “But who may abide the day of his coming”
Messiah, HWV 56: Part I. “Comfort ye my people – Every valley shall be exalted – And the glory of the Lord”
Symphony no. 23 “Ani”, op. 249: III. Adagio con molta espressione
Trinity College of Music Wind Orchestra, Keith Brion
Symphonies nos. 7, 14 and 23 · 2010
Symphony no. 23 “Ani”, op. 249: II. Allegro grazioso
Symphony no. 23 “Ani”, op. 249: I. Adagio legato espressivo
Symphony no. 14 “Ararat”, op. 194: III. —
Symphony no. 14 “Ararat”, op. 194: II. —
Symphony no. 14 “Ararat”, op. 194: I. —
Symphony no. 7 “Nanga Parvat”, op. 178: III. Sunset
Symphony no. 7 “Nanga Parvat”, op. 178: II. March (in isorhythmic form)
Symphony no. 7 “Nanga Parvat”, op. 178: I. Con ferocitá
Festklänge, S. 101
London Philharmonic Orchestra, Sir Georg Solti
Symphonische Dichtungen
Prometheus, S. 99
Symphonic Poems · 1986
Les Préludes, S. 97
Symphony No. 1 in C minor, Op. 68: II. Andante sostenuto
Scottish Chamber Orchestra, Charles Mackerras
Symphony no. 1 / Academic Festival Overture · 1997
Bluebeard's Castle (A Kékszakállú herceg vára), BB 62: Door 7: “Lásd a régi asszonyokat”
Bluebeard's Castle · 1992
Bluebeard's Castle (A Kékszakállú herceg vára), BB 62: Door 6: “Csendes fehér tavat látok”
Bluebeard's Castle (A Kékszakállú herceg vára), BB 62: Door 5: “Ah! – “Lásd ez az én birodalmam”
Bluebeard's Castle (A Kékszakállú herceg vára), BB 62: Door 4: “Oh! Virágok! Oh! Ilatos kert!”
Bluebeard's Castle (A Kékszakállú herceg vára), BB 62: Door 3: “Oh, be sok kincs! Oh, be sok kincs!”
Bluebeard's Castle (A Kékszakállú herceg vára), BB 62: Door 2: “Mit látsz?” – “Száz kegyetlen szörnyü gegyver”
Bluebeard's Castle (A Kékszakállú herceg vára), BB 62: Door 1: “Jaj!” – “Mit látsz? Mit látsz? Láncok kések”
Bluebeard's Castle (A Kékszakállú herceg vára), BB 62: Opening Scene: “Megérkeztünk”
Variations on a Theme by Joseph Haydn, Op. 56a: Finale. Andante
Symphony No. 2 / Variations on a Theme by Haydn · 1997