← Jeremy Ovenden
Piramo e Tisbe, Act II, Scene 4: Aria. Nella nera ombra di morte
Jeremy Ovenden, Akademie für Alte Musik Berlin, Bernhard Forck
Piramo e Tisbe · 2025
Piramo e Tisbe, Act II, Scene 4: Recitativo. Non m'inganna lo sguardo
Piramo e Tisbe, Act I, Scene 2: Aria. A tuoi sospiri, al pianto
Piramo e Tisbe, Act I, Scene 2: Recitativo. Invan t'affanni e preghi
Piramo e Tisbe, Act I, Scene 1: Recitativo. Fuggi, fuggi, ei s'appressa. Misera me! – Act I Scene 2: Recitativo. Tisbe... Posso sperar che al padre
Roberta Mameli, Akademie für Alte Musik Berlin, Bernhard Forck
Requiem in D minor, K626 (Compl. Robert D. Levin) Communium: Cum sanctis tuis
Neal Davies, National Youth Choir of Scotland, Jeremy Ovenden, Christine Rice, Carolyn Sampson, BBC Scottish Symphony Orchestra, Donald Runnicles
BBC Music, Volume 33, Number 10: Vaughan Williams: The Lark Ascending / Mozart: Requiem · 2025
Requiem in D minor, K626 (Compl. Robert D. Levin) Communium: Lux aeterna
Requiem in D minor, K626 (Compl. Robert D. Levin) Agnus Dei: Agnus Dei
Requiem in D minor, K626 (Compl. Robert D. Levin) Sanctus: Benedictus
Requiem in D minor, K626 (Compl. Robert D. Levin) Sanctus: Sanctus
Requiem in D minor, K626 (Compl. Robert D. Levin) Offertory: Hostias
Requiem in D minor, K626 (Compl. Robert D. Levin) Offertory: Domine Jesu
Requiem in D minor, K626 (Compl. Robert D. Levin) Sequence: Amen
Requiem in D minor, K626 (Compl. Robert D. Levin) Sequence: Lacrimosa
Requiem in D minor, K626 (Compl. Robert D. Levin) Sequence: Confutatis
Requiem in D minor, K626 (Compl. Robert D. Levin) Sequence: Recordare
Requiem in D minor, K626 (Compl. Robert D. Levin) Sequence: Rex tremendae
Requiem in D minor, K626 (Compl. Robert D. Levin) Sequence: Tuba mirum
Requiem in D minor, K626 (Compl. Robert D. Levin) Sequence: Dies irae
Requiem in D minor, K626 (Compl. Robert D. Levin) Introit: Kyrie
Requiem in D minor, K626 (Compl. Robert D. Levin) Introit: Requiem
Ode For St. Cecilia's Day HWV 76: XI. As From The Power Of Sacred Lays
Julia Gooding, Jeremy Ovenden, Duilio Galfetti, I Barocchisti, Diego Fasolis
Ode For St. Cecilia's Day HWV 76 / Concerto For Organ HWV 295 / Coronation Anthems HWV 258 · 2008
St Mark Passion, BWV 247 (Excerpts from Andor Gomme’s reconstruction, using music by J. S. Bach and ? Gottfried Keiser (c.1650 – before 1732)): 59. Recitative: Und der Vorhang im Tempel zerriss
Jeremy Ovenden, The Cambridge Baroque Camerata, Geoffrey Webber
St Mark Passion · 1999
St Mark Passion, BWV 247 (Excerpts from Andor Gomme’s reconstruction, using music by J. S. Bach and ? Gottfried Keiser (c.1650 – before 1732)): 58. Aria: Welt und Himmel, nehmt zu Ohren (BWV 7/2)
Ruth Gomme, The Cambridge Baroque Camerata, Geoffrey Webber
St Mark Passion, BWV 247 (Excerpts from Andor Gomme’s reconstruction, using music by J. S. Bach and ? Gottfried Keiser (c.1650 – before 1732)): 57. Recitative: Da lief einer und füllet einen Schwamm
Choir of Gonville & Caius College, Cambridge, Ruth Gomme, Jeremy Ovenden, William Towers, The Cambridge Baroque Camerata, Geoffrey Webber
St Mark Passion, BWV 247 (Excerpts from Andor Gomme’s reconstruction, using music by J. S. Bach and ? Gottfried Keiser (c.1650 – before 1732)): 56. Chorus: Siehe, er rufet den Elias!
Choir of Gonville & Caius College, Cambridge, The Cambridge Baroque Camerata, Geoffrey Webber
St Mark Passion, BWV 247 (Excerpts from Andor Gomme’s reconstruction, using music by J. S. Bach and ? Gottfried Keiser (c.1650 – before 1732)): 55. Recitative: Und etliche, die dabeistunden
St Mark Passion, BWV 247 (Excerpts from Andor Gomme’s reconstruction, using music by J. S. Bach and ? Gottfried Keiser (c.1650 – before 1732)): 54. Chorale: Keinen hat Gott verlassen (BWV 369)
St Mark Passion, BWV 247 (Excerpts from Andor Gomme’s reconstruction, using music by J. S. Bach and ? Gottfried Keiser (c.1650 – before 1732)): 53. Chorus: Geh, Jesu, geh zu deiner Pein! (BWV 198/1)
Recitative (Evangelist): Und er kaufte ein Leinwand
Chorale: O Traurigkeit, O Herzeleid
Recitative (Evangelist): Das ist verdolmetsch't
Recitative (Evangelist): Und nach der sechsten Stunde
Recitative (Evangelist): Und die mit ihm gekreuziget waren
Recitative (Evangelist): Desselbengleichen die Hohenpriester
Recitative (Evangelist): Und es war um die dritte Stunde
Recitative (Evangelist): Und da sie ihn verspottet hatten
Recitative (Evangelist): Und schlugen ihm das Haupt
Recitative (Evangelist): Pilatus aber gedachte
Chorus & Recitative (Evangelist & Pilate): Kreuzige ihn!
Choir of Gonville & Caius College, Cambridge, Jeremy Ovenden, Paul Thompson, The Cambridge Baroque Camerata, Geoffrey Webber
Recitative (Evangelist & Pilate): Aber die Hohenpriester
Jeremy Ovenden, Paul Thompson, The Cambridge Baroque Camerata, Geoffrey Webber
Recitative (Evangelist, Pilate & Jesus): Und bald am Morgen
Timothy Mirfin, Jeremy Ovenden, Paul Thompson, The Cambridge Baroque Camerata, Geoffrey Webber
Recitative (Evangelist & Peter): Er aber fing an sich zu verfluchen
Recitative (Evangelist, Maid & Peter): Und Petrus war da nieder
Recitative (Evangelist): Und die Knechte schlugen ihn
Recitative (Evangelist, High Priest & Jesus): Da fraget ihn der Hohepriester
Timothy Mirfin, Jeremy Ovenden, William Towers, The Cambridge Baroque Camerata, Geoffrey Webber
Recitative (Evangelist & High Priest): Und der Hohepriester stund auf
Jeremy Ovenden, William Towers, The Cambridge Baroque Camerata, Geoffrey Webber
Recitative (Evangelist): Aber ihr Zuegnis