Artist
솔로 · Switzerland · 1915 – 2005
이 아티스트가 연주·작곡·프로듀싱 등으로 참여한 곡과 앨범 (MusicBrainz 관계 데이터 기준)
Concerto for Oboe in C, K. 314: III. Rondo allegretto
Léon Goossens, Sinfonia of London, Sir Colin Davis
Bach / Handel / Mozart · 1998
Concerto for Oboe in C, K. 314: II. Adagio non troppo
Concerto for Oboe in C, K. 314: I. Allegro aperto
Prometheus D. 674 (1997 Remastered Version)
Bernhard Sönnerstedt, Gerald Moore
Lieder on Record 1898–2012 · 2012
Introduction and Allegro, op. 47
Arnold Cole, John Coulling, Henry Datyner, Keith Harvey, London Philharmonic Orchestra, Sir Adrian Boult
The Complete Recordings · 2013
Variations on an Original Theme “Enigma”, op. 36: XIV. Finale: E.D.U
London Philharmonic Orchestra, Sir Adrian Boult
Enigma Variations · 1991
The Dream of Gerontius, op. 38 (excerpts): Part II: Take Me Away (three before cue 125)
Margaret Balfour, Tudor Davies, Horace Stevens, Three Choirs Festival Chorus, London Symphony Orchestra, Edward Elgar
The Elgar Edition · 2011
The Dream of Gerontius, op. 38 (excerpts): Part II: Jesu! By That Shuddering Dread (cue 106)
The Dream of Gerontius, op. 38 (excerpts): Part I: O Jesu, Help! (cue 61)
The Dream of Gerontius, op. 38 (excerpts): Part I: So Pray for Me, My Friends (cue 28)
Civic Fanfare and National Anthem
London Symphony Orchestra, Edward Elgar
Margaret Balfour, Herbert Heyner, Royal Choral Society, Steuart Wilson, Royal Albert Hall Orchestra, Edward Elgar
The Elgar Edition
Edward Elgar
2011 · 정규 · 컴필레이션
Mass in B minor, BWV 232: Agnus Dei
Kathleen Ferrier, Wiener Symphoniker, Herbert von Karajan
The Complete EMI Recordings · 2012
Mass in B minor, BWV 232: Appendix. Agnus Dei (contralto)
Choral Music (1947-1958) · 2014
Mass in B minor, BWV 232: Appendix. Qui sedes (contralto)
Serenade in C major, op. 48: III. Elegia (Elegy). Larghetto elegiaco (Play-through - test recording)
Wiener Philharmoniker, Wilhelm Furtwängler
The Complete Wilhelm Furtwängler on Record · 2021
Rosamunde: Entracte no. 3 (Single take made in the Grosser Saal, Musikverein)
Rosamunde: Entracte no. 3 (Play-through - test recording in the Grosser Saal, Musikverein)