← Reinhard Lagemann
Feuersnot, op. 50: Liebesszene: Lansam - Sehr ruhig - Bewegt - Sehr leidenschaftlich bewegt - Mässig
Orchester der Deutschen Oper Berlin, Christian Thielemann
Pfitzner / Strauss · 1996
Capriccio, op. 85: Vorspiel (Streichsextett): Andante con moto
Guntram, op. 25: Vorspiel zum I. Akt: Mässig langsam
Das Käthchen von Heilbronn, op. 17: Ouvertüre: Kräftig, frisch und schnell
Das Herz, op. 39: Liebesmelodie: Sehr ruhig, lieblich (Molto tranquillo, dolce)
Palestrina: Vorspiel zum III. Akt: Langsam, sehr getragen
Palestrina: Vorspiel zum II. Akt: Mit Wucht und Wildheit
Palestrina: Vorspiel zum I. Akt: Ruhig (andante)
Symphony No. 3 in E-flat major, op. 97 “Rhenish”: V. Lebhaft
Philharmonia Orchestra, Christian Thielemann
Symphony No. 3 “Rhenish” / Overture, Scherzo and Finale / “Genoveva” Overture · 1999
Symphony No. 3 in E-flat major, op. 97 “Rhenish”: IV. Feierlich
Symphony No. 3 in E-flat major, op. 97 “Rhenish”: III. Nicht schnell
Symphony No. 3 in E-flat major, op. 97 “Rhenish”: II. Scherzo. Sehr mäßig
Symphony No. 3 in E-flat major, op. 97 “Rhenish”: I. Lebhaft
Overture, Scherzo & Finale, op. 52: III. Finale. Allegro molto vivace
Overture, Scherzo & Finale, op. 52: II. Scherzo. Vivo - trio. L’istesso tempo
Overture, Scherzo & Finale, op. 52: I. Overture. Andante con moto - allegro
“Genoveva” Overture, op. 81
The Golden Cockerel Suite: IV. Wedding Procession - Death of King Dodon - Finale
러시아 내셔널 오케스트라, 미하일 플레트뇨프
The Enchanted Kingdom · 1996
The Golden Cockerel Suite: III. Queen of Shemakha's Dance - King Dodon's Dance
The Golden Cockerel Suite: II. King Dodon on the Battlefield
The Golden Cockerel Suite: I. Introduction and Dodon's Sleep
The Enchanted Kingdom, op. 39
The Distant Princess, op. 4
Kikimora, op. 63
The Enchanted Lake, op. 62
Baba-Yaga, op. 56
"Falsche Welt, dir trau ich nicht", BWV 52: Sinfonia
Trevor Pinnock, The English Concert
Orchestral Suites / Ouvertüren BWV 1066-1069 (Sinfonias from BWV 42, 52, 110, 174, 249) · 1995
"Am Abend aber desselbigen Sabbats", BWV 42: Sinfonia
Suite no. 2 in B minor, BWV 1067: Menuet
Suite no. 2 in B minor, BWV 1067: Polonaise (Lentement) - Double - Polonaise Ab Initio
Suite no. 2 in B minor, BWV 1067: Bourrée I Alternativement - Bourrée II
Suite no. 2 in B minor, BWV 1067: Sarabande
Suite no. 2 in B minor, BWV 1067: Rondeau
Suite no. 2 in B minor, BWV 1067: Ouverture
Suite no. 3 in D major, BWV 1068: Gigue
Suite no. 3 in D major, BWV 1068: Bourrée
Suite no. 3 in D major, BWV 1068: Gavotte I Alternativement - Gavotte II
Suite no. 3 in D major, BWV 1068: Ouverture
Easter Oratorium, BWV 249: Sinfonia
"Ich liebe den höchsten von ganzem Gemüte", BWV 174: Sinfonia
Chorus: "Unser Mund sei voll Lachens", BWV 110
The English Concert Choir, Trevor Pinnock, The English Concert
Suite no. 4 in D major, BWV 1069: Réjoussance
Suite no. 4 in D major, BWV 1069: Menuet I Alternativement - Menuett II
Suite no. 4 in D major, BWV 1069: Gavotte
Suite no. 4 in D major, BWV 1069: Bourrée I Alternativement - Bourrée II
Suite no. 4 in D major, BWV 1069: Ouverture
Suite no. 1 in C major, BWV 1066: Passepied I Alternativement Passepied II
Suite no. 1 in C major, BWV 1066: Bourrée I Alternativement -Bourrée II