← Peter Schickele
Two Madrigals from The Triumphs of Thusnelda: “The Queen to me a royal pain doth give” / “My bonnie lass she smelleth”
Lorna Haywood, Marlena Kleinman, John Ferrante, John Nelson, Peter Schickele
The Stoned Guest · 1970
The Stoned Guest (Completion): Ⅺ. Recitative: “I hate to interrupt” / Ⅻ. Quartet: “Don Octave” / XIII. Finale: “O saviour” / Announcement
Marlena Kleinman, John Ferrante, Lorna Haywood, Bernice, Peter Schickele, The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company, John Nelson
The Stoned Guest, Part One: Ⅰ. Overture / Ⅱ. Aria: “Let’s face it — I’m lost” / Ⅲ. Recitative: “Boy!” / Ⅳ. Aria: “Now is the season” / Ⅴ. Recitative: “Gesundheit!” / Ⅵ. Duet: “Woe” / Ⅶ. Recitative: “Hark!” / Ⅷ. Aria: “Look at me” / Ⅸ. Recitative: “That’s the end” / Ⅹ. Trio: “I’m sure I’d be”
Marlena Kleinman, Lorna Haywood, John Ferrante, The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company, John Nelson
Cantata: Blaues Gras (Bluegrass Cantata): Chorale “Ich gehe” / Duet: “Sag’ mir”
John Ferrante, Peter Schickele, The New York Pick‐Up Ensemble, Robert Bernhardt
Black Forest Bluegrass · 1979
Cantata: Blaues Gras (Bluegrass Cantata): Recitative “O” / Duet “Ich sehe”
Cantata: Blaues Gras (Bluegrass Cantata): Recitative “O” / Aria “Du bist im Land”
Cantata: Blaues Gras (Bluegrass Cantata): Recitative and Aria “Blaues Gras”
Closing
Peter Schickele
Two Pianos are Better than One · 1994
Introduction - The Musical Sacrifice (S. 50% Off)
Introduction - Chaconne à son Goût
Introduction - Trio (sic) Sonata (S. 3(4))
Introduction - Concerto for Two Pianos vs. Orchestra (S. 2 are better than one)
In the Vanguard Vault, Part 3
The Dreaded P.D.Q. Bach Collection · 1996
The “Sanka” Cantata
Peter Schickele, David Schickele, Ernest Lloyd
In the Vanguard Vault, Part 2
The Art of the Ground Round, S. 1.19/lb, for three baritones and discontinuo: Encore (Nelly is a nice girl)
John Ferrante, John Nelson, Peter Schickele, Peter Rosenfeld, Arthur Weisberg
The Art of the Ground Round, S. 1.19/lb, for three baritones and discontinuo: Nelly is a nice girl
The Art of the Ground Round, S. 1.19/lb, for three baritones and discontinuo: Golly golly oh
John Ferrante, John Nelson, Peter Schickele, Arthur Weisberg
The Art of the Ground Round, S. 1.19/lb, for three baritones and discontinuo: Jane, my Jane
John Ferrante, John Nelson, Peter Schickele, Peter Rosenfeld
The Art of the Ground Round, S. 1.19/lb, for three baritones and discontinuo: Loving is as easy
Introduction
“Erotica” Variations, S. 36EE, for banned instruments and piano: Variation Ⅴ: Foghorn, Bell, Kazoo, Gargle
David Oei, Peter Schickele
Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Finale: “Just tell me what your name is”
John Ferrante, David Oei, Peter Schickele
Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Duet: “Jump not to conclusions”
John Ferrante, Peter Schickele, David Oei
Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “I hope you’ll take this friendly advice”
Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Interlude: Medical examination
Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Duet: “Do you love me?”
John Ferrante, Peter Schickele, William Walters, David Oei
Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “There’s something about a monk”
Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “Et expecto”
Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “My name is Hansel Hunter”
William Walters, David Oei, Peter Schickele
Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “Like a lonely pilgrim”
Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “I am a quaint old innkeeper”
Peter Schickele, David Oei
New Horizons in Music Appreciation: Beethoven’s Fifth Symphony
Peter Schickele, Robert Dennis
The Wurst of P.D.Q. Bach · 1971
Report From Hoople: Dull and Late Show: Sign‐Off / Signature Theme
Report From Hoople: Dull and Late Show: Commercial: “If You Have Never”
Report From Hoople: Dull and Late Show: What’s Happening in Home Economics (Beethoven’s Revenge)
Report From Hoople: Dull and Late Show: Tag / Station Break
Report From Hoople: Dull and Late Show: Time / News / Intro
Report From Hoople: Dull and Late Show: What’s My Melodic Line?
I Virtuosi di Hoople, Peter Schickele
Report From Hoople: Dull and Late Show: Signature Theme / Intro
Report From Hoople: Bright and Early Show: Station Break / Tag / Signature Theme
Report From Hoople: Bright and Early Show: Traumarei for Unaccompanied Piano
Report From Hoople: Bright and Early Show: Intro
Report From Hoople: Bright and Early Show: Time / Weather / News
Report From Hoople: Bright and Early Show: New Horizons in Music Appreciation: Beethoven’s Fifth Symphony
Peter Schickele with Robert Dennis