← Jonathan Cooper
Dido and Aeneas: Act I. "Pursue your Conquest, Love" (Belinda)
Collegium Musicum 90, Richard Hickox
Dido and Aeneas · 1995
Dido and Aeneas: Act I. "If not for Mine" (Aeneas)
Dido and Aeneas: Act I. "Cupid only thrrows the dart" (Chorus)
Dido and Aeneas: Act I. "See your royal Guest appears" (Belinda, Aeneas, Dido)
Dido and Aeneas: Act I. "Fear no danger to ensue" (Belinda, Second Woman, Chorus)
Dido and Aeneas: Act I. "Whence could so much Virtue spring" (Dido, Belinda)
Dido and Aeneas: Act I. "When Monarchs unite" (Chorus)
Dido and Aeneas: Act I. "Grief increases by concealing" (Dido, Belinda)
Dido and Aeneas: Act I. "Ah! Belinda I am prest" (Dido)
Dido and Aeneas: Act I. "Shake the Cloud from off your Brow" (Belinda, Chorus)
Dido and Aeneas: Overture
Harnasie, op. 55: Obraz II (Tableau II). W karczmie (In the Inn): 9 Epilog (Epilogue). [ ]
BBC Symphony Chorus, Robert Murray, BBC Symphony Orchestra, Edward Gardner
Stabat Mater / Harnasie · 2013
Harnasie, op. 55: Obraz II (Tableau II). W karczmie (In the Inn): 8 Napad harnasiów. Taniec. Porwanie młodej (Raid of the Harnasie. Dance. Abduction of the Bride). Moderato, con passione – Più mosso (très rythmé) – Poco sostenuto – Poco sostenuto – Tempo di marcia – Poco meno mosso –
Harnasie, op. 55: Obraz II (Tableau II). W karczmie (In the Inn): 7 Taniec góralski (Góral Dance). Meno mosso – Allegro moderato – Più mosso –
Harnasie, op. 55: Obraz II (Tableau II). W karczmie (In the Inn): 6c Pieśń siuhajów (Song of the Siuhaje). Allegramente – Poco sostenuto –
Harnasie, op. 55: Obraz II (Tableau II). W karczmie (In the Inn): 6b Cepiny (Capping the Bride). Andantino dolce – Poco animato – Più tranquillo – Poco animato – Più mosso – Vivace –
Harnasie, op. 55: Obraz II (Tableau II). W karczmie (In the Inn): 6a Wesele (Wedding). Allegramente, non troppo vivace – Poco meno – Poco più (come sopra) – Poco sostenuto – Poco meno – Poco sostenuto – Vivace (come sopra) –
Harnasie, op. 55: Obraz I (Tableau I). Na hali (In the Mountain Pasture): 5 Taniec zbójnicki. Finał (Robbers’ Dance. Finale). Allegramente, non troppo vivace – Poco sostenuto – Avvivando – Poco sostenuto – Meno mosso, andantino – Poco allegro –
Harnasie, op. 55: Obraz I (Tableau I). Na hali (In the Mountain Pasture): 4 Harnaś i dziewczyna (Harnaś and the Girl). Poco meno. Tranquillo – Meno mosso, andantino – Subito più mosso, agitato molto – L’istesso tempo – Andantino. Grazioso – Poco avvivando – Più mosso – Meno mosso, sostenuto – Ancora poco meno – Poco meno –
Harnasie, op. 55: Obraz I (Tableau I). Na hali (In the Mountain Pasture): 3 Marsz zbójnicki (Robbers’ March). Tempo di marcia, ma animato – Più animato – Ancora più animato – Vivace. Allegramente –
Harnasie, op. 55: Obraz I (Tableau I). Na hali (In the Mountain Pasture): 2 Zaloty (Courtship). Vivace. Allegramente – Poco meno – Meno mosso, andantino – Più mosso – Ancora più mosso –
Harnasie, op. 55: Obraz I (Tableau I). Na hali (In the Mountain Pasture): 1 Redyk (Wiosenne wyjście stąd na halę) (Spring departure for the mountain pastures). Andante tranquillo – Poco animato, ma non troppo vivo – Meno mosso – Meno mosso –
Stabat Mater, op. 53: ‘Chrystus niech mi będzie grodem’ (May His sacred cross defend me). Andante tranquillissimo – Meno mosso
BBC Symphony Chorus, Gábor Bretz, Lucy Crowe, Pamela Helen Stephen, BBC Symphony Orchestra, Edward Gardner
Stabat Mater, op. 53: ‘Panno słodka, racz, mozołem’ (Maid immaculate, excelling). Allegro moderato – Poco meno – Tempo come sopra – Poco meno
Stabat Mater, op. 53: ‘Spraw, niech płaczę z Tobą razem’ (In Thy keeping, watching, weeping). Moderato
BBC Symphony Chorus, Gábor Bretz, Lucy Crowe, Robert Murray, Pamela Helen Stephen, BBC Symphony Orchestra, Edward Gardner
Stabat Mater, op. 53: ‘Matko, źródło wszechmiłości’ (Love’s sweet fountain, Mother tender). Lento, dolcissimo – Poco meno
Stabat Mater, op. 53: 'I któż, widząc tak cierpiącą' (Is there any, tears withholding). Moderato - Poco più mosso - Tempo I
Stabat Mater, op. 53: 'Stała Matka bolejąca' (Mother, bowed with grief appalling). Andante, mesto - Più lento - Tempo I - Poco meno - Tempo I - Più lento
Symphony no. 2, op. 19: Fuga finale
BBC Symphony Orchestra, Edward Gardner
Symphony no. 2 / Symphony no. 4 "Symphonie concertante" / Concert Overture · 2013
Symphony no. 2, op. 19: Finale. Introduzione - Variation VI
Symphony no. 2, op. 19: Variation V
Symphony no. 2, op. 19: Variation IV
Symphony no. 2, op. 19: Variation III
Symphony no. 2, op. 19: Variation II
Symphony no. 2, op. 19: Variation I
Symphony no. 2, op. 19: II. Theme
Symphony no. 2, op. 19: I. Allegro moderato
Symphony no. 4, op. 60 "Symphonie concertante": III. Allegro non troppo, ma agitato ed ansioso
BBC Symphony Orchestra, Edward Gardner, Louis Lortie
Symphony no. 4, op. 60 "Symphonie concertante": II. Andante molto sostenuto
Symphony no. 4, op. 60 "Symphonie concertante": I. Moderato
Concert Overture, op. 12
Symphony no. 2, op. 52, “Hymn of Praise”: 10b. Chorus: “O give thanks to the Lord”
City of Birmingham Symphony Orchestra, Edward Gardner, City of Birmingham Symphony Orchestra Chorus
Mendelssohn in Birmingham, Volume 3 · 2015
Symphony no. 2, op. 52, “Hymn of Praise”: 10a. Chorus: “Ye nations, offer to the Lord”
Symphony no. 2, op. 52, “Hymn of Praise”: 9. Tenor: “My song shall alway be Thy mercy”
Symphony no. 2, op. 52, “Hymn of Praise”: 8b. Chorus: “Glory and praise to God”
Symphony no. 2, op. 52, “Hymn of Praise”: 8a. Chorus: “Let all men praise the Lord”
Symphony no. 2, op. 52, “Hymn of Praise”: 7. Chorus: “The night is departing”
Symphony no. 2, op. 52, “Hymn of Praise”: 6b. Tenor: “We called thro' the darkness…”