Thomas Adès / 작곡 참여 곡

Five Eliot Landscapes, op. 1: IV. Rannoch, by Glencoe

Valdine Anderson, Thomas Adès

Life Story · 1997

2:52

Five Eliot Landscapes, op. 1: III. Usk

Valdine Anderson, Thomas Adès

Life Story · 1997

2:29

Five Eliot Landscapes, op. 1: II. Virginia

Valdine Anderson, Thomas Adès

Life Story · 1997

2:50

Five Eliot Landscapes, op. 1: I. New Hampshire

Valdine Anderson, Thomas Adès

Life Story · 1997

4:39

Under Hamelin Hill, op. 6: III. Arietta

Thomas Adès

Life Story · 1997

3:58

Under Hamelin Hill, op. 6: II. Fuga a tre voci con alcune licenze

Thomas Adès, Stephen Farr, David Goode

Life Story · 1997

4:37

Under Hamelin Hill, op. 6: I. Preambulum

David Goode

Life Story · 1997

3:44

Still Sorrowing, op. 7

Thomas Adès

Life Story · 1997

9:55

Darknesse Visible

Thomas Adès

Life Story · 1997

7:14

Catch, op. 4

Thomas Adès, Louise Hopkins, Lynsey Marsh, Anthony Marwood

Life Story · 1997

10:31

Powder Her Face: Ghost Epilogue: Enough...Or too much! (Maid/Electrician)

Almeida Ensemble, Thomas Adès

Powder Her Face · 1998

2:41

Powder Her Face: Act II, Scene 8, Nineteen ninety: Broken. It's broken (Duchess/Hotel Manager)

Almeida Ensemble, Thomas Adès

Powder Her Face · 1998

8:07

Powder Her Face: Act II, Scene 8, Nineteen ninety: That will do, you may go (Duchess)

Almeida Ensemble, Thomas Adès

Powder Her Face · 1998

4:45

Powder Her Face: Act II, Scene 8, Nineteen ninety: Agh - Who are you? (Duchess/Hotel Manager)

Almeida Ensemble, Thomas Adès

Powder Her Face · 1998

6:34

Powder Her Face: Act II, Scene 7, Nineteen seventy: Interlude - Fifty-eight, seventy-nine (Duchess)

Almeida Ensemble, Thomas Adès

Powder Her Face · 1998

1:16

Powder Her Face: Act II, Scene 7, Nineteen seventy: Ah! None left (Duchess/Society Journalist/Delivery Boy)

Almeida Ensemble, Thomas Adès

Powder Her Face · 1998

4:11

Powder Her Face: Act II, Scene 7, Nineteen seventy: I'd like to make one thing entirely clear

Almeida Ensemble, Thomas Adès

Powder Her Face · 1998

3:07

Powder Her Face: Act II, Scene 6, Nineteen fifty-five: Interlude (Orchestra)

Almeida Ensemble, Thomas Adès

Powder Her Face · 1998

1:05

Powder Her Face: Act II, Scene 6, Nineteen fifty-five: So that is all (Duchess/Rubberneckers)

Almeida Ensemble, Thomas Adès

Powder Her Face · 1998

5:09

Powder Her Face: Act II, Scene 6, Nineteen fifty-five: Did you hear - What he said? (Rubberneckers)

Almeida Ensemble, Thomas Adès

Powder Her Face · 1998

1:44

Powder Her Face: Act II, Scene 6, Nineteen fifty-five: But now I have heard something new (Judge)

Almeida Ensemble, Thomas Adès

Powder Her Face · 1998

3:46

Powder Her Face: Act II, Scene 6, Nineteen fifty-five: Order, Silence

Almeida Ensemble, Thomas Adès

Powder Her Face · 1998

5:30

Powder Her Face: Act II, Scene 6, Nineteen fifty-five: Did she?...Of course she did (Rubberneckers)

Almeida Ensemble, Thomas Adès

Powder Her Face · 1998

3:10

Powder Her Face: Act I, Scene 5, Nineteen fifty-three: Ha ha ha ha... (Paper chase) (Mistress/Duke)

Almeida Ensemble, Thomas Adès

Powder Her Face · 1998

2:18

Powder Her Face: Act I, Scene 5, Nineteen fifty-three: Are you saying the Duchess is a whore?

Almeida Ensemble, Thomas Adès

Powder Her Face · 1998

4:57

Powder Her Face: Act I, Scene 5, Nineteen fifty-three: Is Daddy squiffy?

Almeida Ensemble, Thomas Adès

Powder Her Face · 1998

5:43

Powder Her Face: Act I, Scene 4, Nineteen fifty-three: Interlude (Orchestra)

Almeida Ensemble, Thomas Adès

Powder Her Face · 1998

2:04

Powder Her Face: Act I, Scene 4, Nineteen fifty-three: Come here (Duchess/Waiter)

Almeida Ensemble, Thomas Adès

Powder Her Face · 1998

6:19

Powder Her Face: Act I, Scene 4, Nineteen fifty-three: What have you got there?

Almeida Ensemble, Thomas Adès

Powder Her Face · 1998

3:08

Powder Her Face: Act I, Scene 4, Nineteen fifty-three: ...mm...ah!...Room service?

Almeida Ensemble, Thomas Adès

Powder Her Face · 1998

3:24

Powder Her Face: Act I, Scene 4, Nineteen fifty-three: ...mm...ah!...How may I help you? (Duchess/Laundryman/Other Guest)

Almeida Ensemble, Thomas Adès

Powder Her Face · 1998

3:50

Powder Her Face: Act I, Scene 3, Nineteen thirty-six: Fancy, fancy being rich (Waitress)

Almeida Ensemble, Thomas Adès

Powder Her Face · 1998

4:46

Powder Her Face: Act I, Scene 2, Nineteen thirty-four: Interlude (Orchestra)

Almeida Ensemble, Thomas Adès

Powder Her Face · 1998

2:38

Powder Her Face: Act I, Scene 2, Nineteen thirty-four: I hear him coming (Pantomime) (Duchess/Confidante/Lounge Lizard/Duke)

Almeida Ensemble, Thomas Adès

Powder Her Face · 1998

5:08

Powder Her Face: Act I, Scene 2, Nineteen thirty-four: I could never grow bored of dukedoms (Confidante/Lounge Lizard/Duchess)

Almeida Ensemble, Thomas Adès

Powder Her Face · 1998

1:52

Powder Her Face: Act I, Scene 2, Nineteen thirty-four: Of course she's done well (Confidante/Lounge Lizard/Duchess)

Almeida Ensemble, Thomas Adès

Powder Her Face · 1998

2:14

Powder Her Face: Act I, Scene 1, Nineteen ninety: Interlude (Orchestra)

Almeida Ensemble, Thomas Adès

Powder Her Face · 1998

1:07

Powder Her Face: Act I, Scene 1, Nineteen ninety: Take it from me (Duchess/Electrician/Maid)

Almeida Ensemble, Thomas Adès

Powder Her Face · 1998

5:07

Powder Her Face: Act I, Scene 1, Nineteen ninety: I see. This is what it has come to (Duchess/Electrician/Maid)

Almeida Ensemble, Thomas Adès

Powder Her Face · 1998

2:52

Powder Her Face: Act I, Scene 1, Nineteen ninety: Oo aa! ha ha ha ha ha (Maid/Electrician)

Almeida Ensemble, Thomas Adès

Powder Her Face · 1998

4:12

Powder Her Face: Act I: Overture (Orchestra)

Almeida Ensemble, Thomas Adès

Powder Her Face · 1998

2:58

...but all shall be well, op. 10

City of Birmingham Symphony Orchestra, Thomas Adès

Asyla · 1999

3:56

Chamber Symphony, op. 2: IV

Birmingham Contemporary Music Group, Thomas Adès

Asyla · 1999

2:17

Chamber Symphony, op. 2: III

Birmingham Contemporary Music Group, Thomas Adès

Asyla · 1999

1:53

Chamber Symphony, op. 2: II

Birmingham Contemporary Music Group, Thomas Adès

Asyla · 1999

4:24

Chamber Symphony, op. 2: I

Birmingham Contemporary Music Group, Thomas Adès

Asyla · 1999

5:47

These Premises Are Alarmed, op. 16

Thomas Adès, City of Birmingham Symphony Orchestra

Asyla · 1999

4:00

Concerto Conciso, op. 18: [𝅘𝅥𝅯. = 116]

Thomas Adès, Birmingham Contemporary Music Group

Asyla · 1999

1:52

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