← Martha Lipton
In the Beginning
Aaron Copland
Leonard Bernstein Edition: The Vocal Works · 2018
Messiah, HWV 56, Part II: Hallelujah
Richard P. Condie, Davis Cunningham, Eileen Farrell, Martha Lipton, The Tabernacle Choir at Temple Square, William Warfield, Gilbert Johnson, The Philadelphia Orchestra, Eugene Ormandy
Classical Music – I Know This One! · 2014
The Rake’s Progress: Act I, Scene 2. Cavatina: “Love, too Frequently Betrayed” – Chorus: “How Sad a Song” – Chorus: “The Sun Is Bright, the Grass Is Green” (Rakewell, Chorus, Mother Goose)
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The Complete Columbia Album Collection · 2015
The Rake’s Progress: Act I, Scene 2. Recitative and Scene: “Come, Tom” – Chorus: “Soon Dawn Will Glitter” – Recitative: “Sisters of Venus, Brothers of Mars” (Shadow, Rakewell, Mother Goose, Chorus)
Andrea Chénier: Atto I. “Perdonatemi!”
Martha Lipton, Metropolitan Opera Chorus, Zinka Milanov, Leonard Warren, Metropolitan Opera Orchestra, Fausto Cleva
Andrea Chénier · 2007
Andrea Chénier: Atto I. “Signor Chénier...”
Gabor Carelli, George Cehanovsky, Martha Lipton, Zinka Milanov, Richard Tucker, Metropolitan Opera Orchestra, Fausto Cleva
Andrea Chénier: Atto I. “Commosso, lusingato a tanti complimenti”
Rosalind Elias, Martha Lipton, Zinka Milanov, Metropolitan Opera Orchestra, Fausto Cleva
Andrea Chénier: Atto I. “Il giorno intorno già s'insera lentamente!”
Rosalind Elias, Martha Lipton, Zinka Milanov, Leonard Warren, Metropolitan Opera Orchestra, Fausto Cleva
He Shall Feed His Flock Like a Shepherd (from "The Messiah")
Eileen Farrell, Martha Lipton, The Philadelphia Orchestra, Eugene Ormandy
Christmas Concerts · 1996
Jeanne d'Arc au bûcher: Scène 11. Jeanne d'Arc en flammes (La Vierge, chœur, un prêtre, Jeanne, Marguerite, Catherine, enfants)
Martha Lipton, Carolyn Long, St. Peter Boys' Choir, Temple University Choirs, Frances Yeend, Vera Zorina, The Philadelphia Orchestra, Eugene Ormandy
The Columbia Legacy · 2021
Jeanne d'Arc au bûcher: Scène 9. L'Épée de Jeanne (Marguerite, Jeanne, chœur, Frère Dominique, Catherine, voix d'enfants)
Raymond Gérôme, Martha Lipton, Carolyn Long, St. Peter Boys' Choir, Temple University Choirs, Vera Zorina, The Philadelphia Orchestra, Eugene Ormandy
Jeanne d'Arc au bûcher: Scène 7. Catherine et Marguerite (Jeanne, Frère Dominique, chœur, Catherine, Marguerite)
Raymond Gérôme, Martha Lipton, Carolyn Long, Vera Zorina, The Philadelphia Orchestra, Eugene Ormandy
Die Fledermaus: Act II. No. 11a Finale IIb: “Let's hope this never halts” (Orlofsky, ensemble, Eisenstein, Adele)
Kurt Adler, Charles Kullman, Martha Lipton, Metropolitan Opera Chorus, Lily Pons, Metropolitan Opera Orchestra, Eugene Ormandy
Die Fledermaus: Act II. No. 11a Finale IIa: “A Bacchanalian revel” (Orlofsky, Eisenstein, Adele, ensemble)
Die Fledermaus: Act II. No. 8 Ensemble and Couplet: “It seems we're entertaining an uninvited guest” - “Look me over once, look me over twice” (Adele's Laughing Song) (Orlofsky, Falke, ensemble, Adele, Eisenstein)
Kurt Adler, John Brownlee, Charles Kullman, Martha Lipton, Metropolitan Opera Chorus, Lily Pons, Metropolitan Opera Orchestra, Eugene Ormandy
Die Fledermaus: Act II. No. 7 Couplet: “I've many peculiarities” (Orlofsky)
Martha Lipton, Metropolitan Opera Orchestra, Eugene Ormandy
Falstaff: Atto III. “Tutto nel mondo è burla”
Licia Albanese, Lorenzo Alvary, Leslie Chabay, Cloë Elmo, Martha Lipton, Metropolitan Opera Chorus, Alessio de Paolis, Regina Resnik, Giuseppe Valdengo, Leonard Warren, Giuseppe Di Stefano, Metropolitan Opera Orchestra, Fritz Reiner
Falstaff · 2004
Falstaff: Atto III. “Ah! Ah! Ah! Ah!”
Falstaff: Atto III. “Ogni sorta di gente dozzinale”
Falstaff: Atto III. “Alto là!”
Licia Albanese, Lorenzo Alvary, Cloë Elmo, Martha Lipton, Alessio de Paolis, Regina Resnik, Giuseppe Valdengo, Leonard Warren, Metropolitan Opera Orchestra, Fritz Reiner
Falstaff: Atto III. “Una, due, tre, quattro”
Martha Lipton, Regina Resnik, Leonard Warren, Metropolitan Opera Orchestra, Fritz Reiner
Falstaff: Atto III. “Non dubitar, tu sposerai mia figlia”
Licia Albanese, Leslie Chabay, Cloë Elmo, Martha Lipton, Regina Resnik, Giuseppe Valdengo, Metropolitan Opera Orchestra, Fritz Reiner
Falstaff: Atto III. “Reverenza. La bella Alice”
Licia Albanese, Leslie Chabay, Cloë Elmo, Martha Lipton, Regina Resnik, Giuseppe Valdengo, Leonard Warren, Metropolitan Opera Orchestra, Fritz Reiner
Falstaff: Atto II. “Se t'agguanto“
Falstaff: Atto II. “Voi mi celiate: Io temo i vostri inganni”
Lorenzo Alvary, Cloë Elmo, Martha Lipton, Alessio de Paolis, Regina Resnik, Giuseppe Valdengo, Leonard Warren, Metropolitan Opera Orchestra, Fritz Reiner
Falstaff: Atto II. “Presenteremo un bill”
Cloë Elmo, Martha Lipton, Regina Resnik, Metropolitan Opera Orchestra, Fritz Reiner
Falstaff: Atto I. “Falstaff m'ha canzonata”
Licia Albanese, Cloë Elmo, Martha Lipton, Regina Resnik, Metropolitan Opera Orchestra, Fritz Reiner
Falstaff: Atto I. “È un ribaldo, un furbo, un ladro“
Licia Albanese, Lorenzo Alvary, Leslie Chabay, Cloë Elmo, Martha Lipton, Alessio de Paolis, Regina Resnik, Giuseppe Valdengo, Giuseppe Di Stefano, Metropolitan Opera Orchestra, Fritz Reiner
Falstaff: Atto I. “Fulgida alice! Amor t'offro“
Falstaff: Atto I. “Alice”
Te Deum in C major
Frances Yeend, Martha Lipton, David Lloyd, Mack Harrell, Westminster Choir, New York Philharmonic, Bruno Walter
Симфония № 9 Ре Мажор / Te Deum · 1970
Symphony no. 9 in D minor, op. 125 "Choral": IVb. Ode "An die Freude"
The Nine Symphonies · 1974
Symphony no. 9 in D minor, op. 125 "Choral": IV. Recitative. (Presto - Allegro ma non troppo - Vivace - Adagio cantabile - Allegro assai - Presto "O Freunde") - Allegro assai "Freude, schöner Götterfunken" - Alla marcia - Allegro assai vivace
New York Philharmonic, Bruno Walter
Symphony no. 3 in D minor: Part II. V. Lustig im Tempo und keck im Ausdruck “Es sungen drei Engel”
Martha Lipton, Boys’ Choir of the Church of the Transfiguration, Schola Cantorum, New York Philharmonic, Leonard Bernstein
Symphony no. 3 in D minor · 2007
Symphony no. 3 in D minor: Part II. IV. Sehr langsam. Misterioso. Durchaus ppp “O Mensch! Gib Acht!”
Martha Lipton, New York Philharmonic, Leonard Bernstein
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part 2. Final Scene from Goethe's “Faust II”. Chorus Mysticus
New York Philharmonic, Leopold Stokowski
Quadromania: Gustav Mahler: Das Lied von der Erde & Other Vocal Symphonies · 2004
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part 2. Final Scene from Goethe's “Faust II”. Maria Aegyptiaca
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part 2. Final Scene from Goethe's “Faust II”. Magna Peccatrix. Mulier Samaritana
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part 1. Hymnus. Allegro impetuoso. Gloria Patri Domino
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part 1. Hymnus. Allegro impetuoso. Accende lumen sensibus
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part 1. Hymnus. Allegro impetuoso. Infirma nostri corporis
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part 1. Hymnus. Allegro impetuoso. Veni, creator spiritus
Symphony No. 8 in E-flat major: Part II "Final Scene of Goethe's Faust": IIg. Magna peccatrix
The Mahler Broadcasts 1948-1982 · 1998
Symphony No. 8 in E-flat major, Part I: I. Veni, Creator Spiritus
Te Deum in C major: Vb. In te, Domine, speravi. Fuge. Im gleichen gemäßigten Tempo - Alla breve.
Martha Lipton, David Lloyd, Frances Yeend, New York Philharmonic, Bruno Walter
Symphonie Nr. 5 / Te Deum · 1960
Te Deum in C major: Va. In te, Domine, speravi. Mäßig bewegt.
Te Deum in C major: IVb. Salvum fac: Per singulos dies benedicimus te. Allegro moderato.
Te Deum in C major: IVa. Salvum fac: Salvum fac. Moderato.