← Daniel Zalay
Daphnis et Chloé, M. 57, Pt. 3: Danse générale
Chœur de l'Opéra national du Rhin, Orchestre philharmonique de Strasbourg, Aziz Shokhakimov
Daphnis et Chloé · 2025
Daphnis et Chloé, M. 57, Pt. 3: Chloé tombe dans les bras de Daphnis
Orchestre philharmonique de Strasbourg, Aziz Shokhakimov
Daphnis et Chloé, M. 57, Pt. 3: Chloé figure par sa danse les accents de la flûte
Daphnis et Chloé, M. 57, Pt. 3: Daphnis et Chloé miment l’aventure de Pan et de Syrinx
Daphnis et Chloé: Lever du jour
Daphnis et Chloé, M. 57, Pt. 2: Soudain l’atmosphère semble chargée d’éléments insolites
Daphnis et Chloé, M. 57, Pt. 2: Danse suppliante de Chloé
Daphnis et Chloé, M. 57, Pt. 2: Danse guerrière
Daphnis et Chloé, M. 57, Pt. 1: Interlude
Daphnis et Chloé, M. 57, Pt. 1: Danse lente et mystérieuse des Nymphes
Daphnis et Chloé, M. 57, Pt. 1: Une lumière irréelle enveloppe le paysage
Daphnis et Chloé, M. 57, Pt. 1: Les pirates
Daphnis et Chloé, M. 57, Pt. 1: Danse de Lycéion
Daphnis et Chloé, M. 57, Pt. 1: Devant le groupe radieux que forment Daphnis et Chloé enlacés
Daphnis et Chloé, M. 57, Pt. 1: Danse légère et gracieuse de Daphnis
Daphnis et Chloé, M. 57, Pt. 1: Danse grotesque de Dorcon
Daphnis et Chloé, M. 57, Pt. 1: Danse générale
Daphnis et Chloé, M. 57, Pt. 1: Danse religieuse
Daphnis et Chloé, M. 57, Pt. 1: Introduction
Messiah, HWV 56: Alternative Arias: Air. “Their sound is gone out into all lands” (1743)
Michael Spyres, The English Concert, John Nelson
Messiah · 2023
Messiah, HWV 56: Alternative Arias: Air. “How beautiful are the feet” (1750)
Alex Potter, The English Concert, John Nelson
Messiah, HWV 56: Alternative Arias: Air. “How beautiful are the feet” (1741)
Lucy Crowe, The English Concert, John Nelson
Messiah, HWV 56: Alternative Arias: Air. “Thou art gone up on high” (1743)
Messiah, HWV 56: Alternative Arias: Air. “Thou art gone up on high” (1741)
Matthew Brook, The English Concert, John Nelson
Messiah, HWV 56: Alternative Arias: Air. “Rejoice greatly, O daughter of Zion” (1741)
Messiah, HWV 56: Alternative Arias: Arioso. “But lo, the angel of the Lord came upon them” (1743)
Messiah, HWV 56: Alternative Arias: Air. “But who may abide the day of His coming?” (1741)
Messiah, HWV 56: Part the Third: Chorus. “Worthy is the Lamb that was slain – Amen”
The English Concert Choir, The English Concert, John Nelson
Messiah, HWV 56: Part the Third: Air. “If God be for us, who can be against us?”
Messiah, HWV 56: Part the Third: Chorus. “But thanks be to God”
Messiah, HWV 56: Part the Third: Duet. “O death, where is thy sting?”
Alex Potter, Michael Spyres, The English Concert, John Nelson
Messiah, HWV 56: Part the Third: Recitative. “Then shall be brought to pass the saying”
Messiah, HWV 56: Part the Third: Air. “The trumpet shall sound”
Messiah, HWV 56: Part the Third: Accompanied recitative. “Behold, I tell you a mystery”
Messiah, HWV 56: Part the Third: Chorus. “Since by man came death”
Messiah, HWV 56: Part the Third: Air. “I know that my Redeemer liveth”
Messiah, HWV 56: Part the Second: Chorus. “Hallelujah!” (3:44)
Messiah, HWV 56: Part the Second: Air. “Thou shalt break them with a rod of iron”
Messiah, HWV 56: Part the Second: Recitative. “He that dwelleth in heaven”
Messiah, HWV 56: Part the Second: Chorus. “Let us break their bonds asunder”
Messiah, HWV 56: Part the Second: Air. “Why do the nations so furiously rage together?”
Messiah, HWV 56: Part the Second: Chorus. “Their sound is gone out into all lands”
Messiah, HWV 56: Part the Second: Chorus. “Break forth into joy”
Messiah, HWV 56: Part the Second: Duet. “How beautiful are the feet”
Alex Potter, Rory McCleery, The English Concert, John Nelson
Messiah, HWV 56: Part the Second: Chorus. “The Lord gave the word”
Messiah, HWV 56: Part the Second: Air. “Thou art gone up on high”
Messiah, HWV 56: Part the Second: Chorus. “Let all the angels of God worship Him”
Messiah, HWV 56: Part the Second: Recitative. “Unto which of the angels said He at any time”