← Jean Chatauret
Romeo and Juliet: Romeo and Juliet Before Parting (excerpt)
Orchestre de la Suisse Romande, Armin Jordan
Appassionata: The Music From the Book · 1996
Raymonda, Suite from the Ballet, op. 57a: Act III: X. Entr’acte: Triomphe de l’amour et fête nuptiale
Royal Scottish National Orchestra, José Serebrier
Complete Symphonies & Concertos · 2012
Raymonda, Suite from the Ballet, op. 57a: Act II: IXb. Entrée des Sarrasins
Raymonda, Suite from the Ballet, op. 57a: Act II: IXa. Danse des garçons arabes
Raymonda, Suite from the Ballet, op. 57a: Act II: VIII. Variation IV: Raymonda
Raymonda, Suite from the Ballet, op. 57a: Act II: VII. Grand pas d’action – Grand Adagio
Raymonda, Suite from the Ballet, op. 57a: Act I: VI. Valse fantastique
Raymonda, Suite from the Ballet, op. 57a: Act I: V. Entr’acte
Raymonda, Suite from the Ballet, op. 57a: Act I: IV. Prélude et Variation
Raymonda, Suite from the Ballet, op. 57a: Act I: IV. Prélude et La Romanesca
Raymonda, Suite from the Ballet, op. 57a: Act I: IV. Soir. Clair de lune
Raymonda, Suite from the Ballet, op. 57a: Act I: IV. Entrée de Raymonda
Raymonda, Suite from the Ballet, op. 57a: Act I: III. Une fanfare annonce l’arrivée d’un étranger
Raymonda, Suite from the Ballet, op. 57a: Act I: II. La Traditrice
Raymonda, Suite from the Ballet, op. 57a: Act I: Ib. Salle dans le château de Raymonda
Raymonda, Suite from the Ballet, op. 57a: Act I: Ia. Introduction
Symphony no. 8 in E-flat major, op. 83: IV. Finale: Moderato sostenuto – Allegro moderato
Symphony no. 8 in E-flat major, op. 83: III. Allegro
Symphony no. 8 in E-flat major, op. 83: II. Mesto
Symphony no. 8 in E-flat major, op. 83: I. Allegro moderato
Les fêtes d’Hébé, II - Première entrée - La poésie: Premier & deuxième rigaudons / Dieu charmant
Les Arts Florissants, Luc Coadou, Sarah Connolly, William Christie
Gramophone: The First 75 Years · 1998
Kindertotenlieder: In diesem Wetter
Waltraud Meier, Orchestre de Paris, Daniel Barenboim
Mahler: Kindertotenlieder / Wagner: Wesendonck-Lieder / Wolf: 3 Mörike-Lieder · 1991
Kindertotenlieder: Oft denk’ ich, sie sind nur ausgegangen
Kindertotenlieder: Wenn dein Mütterlein
Kindertotenlieder: Nun seh’ ich wohl, warum so dunkle Flammen
Kindertotenlieder: Nun will die Sonn’ so hell aufgeh’n
Symphonie Nº 4: IV. Sehr behaglich
Edith Wiens, Orchestre de la Suisse Romande, Armin Jordan
Symphonie Nº 4 · 1992
Symphonie Nº 4: III. Ruhevoll
Symphonie Nº 4: II. In gemächlicher Bewegung. Ohne Hast
Symphonie Nº 4: I. Bedächtig. Nicht eilen
Belshazzar: Act III. Scene 3. 50. Anthem (Daniel, Nitocris, Chorus) "I will magnify thee, O God my king"
Les Arts Florissants, William Christie
Belshazzar · 2013
Belshazzar: Act III. Scene 3. 49. Accompagnato (Cyrus) "Yes, I will build thy city, God of Israel"
Belshazzar: Act III. Scene 3. 48. Soli and Chorus (Nitocris, Gobrias, Daniel) "Tell it out among the heathen, that the Lord is King"
Belshazzar: Act III. Scene 3. 47a. Duett (Nitocris, Cyrus) "Great victor, at your feet I bow" - 47b. Recitative (Cyrus, Daniel) "Say, venerable prophet, is there ought"
Belshazzar: Act III. Scene 3. 46. Aria (Cyrus) "Destructive war thy limits know"
Belshazzar: Act III. Scene 3. 45a. Aria (Gobrias) "To pow'r immortal my first thanks are due" - 45b. Recitative (Cyrus) "Be it thy care, good Gobrias, to find out"
Belshazzar: Act III. Scene 2. 43. Aria (Belshazzar) "I thank thee, Sesach, thy sweet pow'r" - 44. A martial Symphony
Belshazzar: Act III. Scene 1. 42. Chorus of Jews "Bel boweth down! Nebo stoopeth"
Belshazzar: Act III. Scene 1. 41a. Aria (Daniel) "Can the black Æthiop change his skin?" - 41b. Recitative (Nitocris, Arioch, Messenger) "My hopes revive, here Arioch comes: by this"
Belshazzar: Act III. Scene 1. 40a. Aria (Nitocris) "Alternate hopes and fears distract my mind" - 40b. Recitative (Nitocris, Daniel) "Fain would I hope. Is there not room to hope?"
Belshazzar: Act II. Scene 3. 39. Chorus "O glorious prince! thrice happy they"
Belshazzar: Act II. Scene 3. 38a. Aria (Cyrus) "O God of truth! O faithful guide!" - 38b. Recitative (Cyrus) "You, Gobrias, lead directly to the palace"
Belshazzar: Act II. Scene 2. 37. Aria (Nitocris) "Regard, O son, my flowing tears"
Belshazzar: Act II. Scene 2. 34. Accompagnato (Daniel) "Yet to obey his dread command" - 35. Accompagnato (Daniel) "Thou, O King, hast lifted up thyself" - 36. Recitative (Nitocris) "O sentence too severe! and yet too sure!"
Belshazzar: Act II. Scene 2. 32b. Recitative (Nitocris, Belshazzar) "O king, live for ever!" - 32c. Recitative (Belshazzar) "Art thou that Daniel, of the Jewish captives?" - 33. Aria (Daniel) "No: to thyself thy trifles be"
Belshazzar: Act II. Scene 2. 31a. Recitative (Belshazzar) "Ye sages, welcome always to your king" - 31b. Trio (Wisemen) "Alas! too hard a task the king imposes" - 32a. Chorus "O misery! O terror! hopeless grief!"
Belshazzar: Act II. Scene 2. 29b. Recitative (Belshazzar) "Call all our Wiseman, sorcerers, Chaldeans" - 30. Symphonie
Belshazzar: Act II. Scene 2. 29a. Accompagnato and Chorus (Belshazzar) "Where is the God of Judah's boasted pow'r?"