Artist
솔로 · Boston
Mozart’s Circle: The Beneficent Dervish - Mozart: The Impresario, K. 486
Wolfgang Amadeus Mozart, Johann Baptist Henneberg; Benedikt Schack, Franz Xaver Gerl, Boston Baroque, Martin Pearlman, Cyndia Sieden, Sharon Baker, John Aler, Kevin Deas, Alan Ewing & Deanne Meek
2002 · 정규
Dido and Aeneas and Music for Plays & Masques
Henry Purcell; Nancy Maultsby, Susannah Waters, Russell Braun, Laura Tucker, Richard Clement, Sharon Baker, Boston Baroque, Martin Pearlman
1996 · 정규
이 아티스트가 연주·작곡·프로듀싱 등으로 참여한 곡과 앨범 (MusicBrainz 관계 데이터 기준)
The Beneficent Dervish, Act III: Final Chorus. Ihr Undankbaren lebet wohl
Sharon Baker, John Aler, Kevin Deas, Alan Ewing, Deanne Meek, Boston Baroque, Martin Pearlman
Mozart’s Circle: The Beneficent Dervish - Mozart: The Impresario, K. 486 · 2002
The Beneficent Dervish, Act III: Duet. Daß Männer unsre Sklaven sind
Sharon Baker, Deanne Meek, Boston Baroque, Martin Pearlman
The Beneficent Dervish, Act III: Duet. Ach, die Teure liebet mich!
Sharon Baker, John Aler, Boston Baroque, Martin Pearlman
The Beneficent Dervish, Act II: Ballad. Ein Jüngling frisch wie Milch
Sharon Baker, Boston Baroque, Martin Pearlman
The Beneficent Dervish, Act II: Aria. Sofrano, fühltest du mein Leiden
The Beneficent Dervish, Act II: Chorus. Die Männer zu fesseln
Solemn Vespers of the Confessor, K. 339 / Mass in C, K. 317
Wolfgang Amadeus Mozart; Banchetto Musicale, Martin Pearlman
1992 · 정규
Lost Music of Early America: Music of the Moravians
Boston Baroque, Martin Pearlman
1998 · 정규