Seymour Solomon (producer and founder of Vanguard Records)

The Stoned Guest, Part 1: Trio: “I’m sure I’d be”

Lorna Haywood, Marlene Kleinman, John Ferrante, The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company, John Nelson

The Dreaded P.D.Q. Bach Collection · 1996

The Stoned Guest, Part One: Ⅰ. Overture / Ⅱ. Aria: “Let’s face it — I’m lost” / Ⅲ. Recitative: “Boy!” / Ⅳ. Aria: “Now is the season” / Ⅴ. Recitative: “Gesundheit!” / Ⅵ. Duet: “Woe” / Ⅶ. Recitative: “Hark!” / Ⅷ. Aria: “Look at me” / Ⅸ. Recitative: “That’s the end” / Ⅹ. Trio: “I’m sure I’d be”

Marlene Kleinman, Lorna Haywood, John Ferrante, The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company, John Nelson

The Stoned Guest · 1970

First movement from Trumpet Concerto in E flat

Helmut Wobisch, I Solisti di Zagreb & Antonio Janigro

The Best Classical Moments · 2005

Petrouchka (1911 version): Third Tableau: The Moor’s Room (conclusion)

London Symphony Orchestra, Charles Mackerras

Petrouchka · 1973

Petrouchka (1911 version): Third Tableau: The Moor’s Room (beginning)

London Symphony Orchestra, Charles Mackerras

Petrouchka · 1973

Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna

Hartford Symphony Chorale, Hartford Symphony Orchestra, Fritz Mahler

Carmina Burana · 1960

Carmina Burana: Blanziflor et Helena: Ave formosissima

Hartford Symphony Chorale, Hartford Symphony Orchestra, Fritz Mahler

Carmina Burana · 1960

Carmina Burana: Part III. Cour d’amours: Dulcissime

Sylvia Stahlman, Hartford Symphony Orchestra, Fritz Mahler

Carmina Burana · 1960