← Joyce DiDonato
Das Mühlrad, op. 72
Joyce DiDonato, William Barnewitz, Carol Anderson
Long Road Home · 2007
Dido and Aeneas, Z. 626, Act 3: Dido’s Lament. “When I Am Laid In Earth” (Dido)
Joyce DiDonato, Il Pomo d’Oro, Maxim Emelyanychev
Dido & Aeneas · 2025
Dido and Aeneas, Z. 626, Act 3: “Thy Hand, Belinda” (Dido)
Dido and Aeneas, Z. 626, Act 3: “But Death, Alas! I Cannot Shun” (Dido)
Dido and Aeneas, Z. 626, Act 3: “Your Counsel, All Is Urg’d in Vain” (Dido, Belinda, Aeneas)
Joyce DiDonato, Michael Spyres, Fatma Said, Il Pomo d’Oro, Maxim Emelyanychev
Dido and Aeneas, Z. 626, Act 2: “Behold, Upon My Bended Spear” (Aeneas, Dido)
Joyce DiDonato, Michael Spyres, Il Pomo d’Oro, Maxim Emelyanychev
Dido and Aeneas, Z. 626, Act 1: “See, See Your Royal Guest Appears” (Belinda, Aeneas, Dido)
Dido and Aeneas, Z. 626, Act 1: “Whence Could so Much Virtue Spring” (Dido, Belinda)
Joyce DiDonato, Fatma Said, Il Pomo d’Oro, Maxim Emelyanychev
Dido and Aeneas, Z. 626, Act 1: “Grief Increases by Concealing” (Belinda, Dido)
Dido and Aeneas, Z. 626, Act 1: “Ah! Belinda, I Am Pressed with Torment” (Dido)
Admeto: Alma mia, dolce ristoro
Patrizia Ciofi, Joyce DiDonato
Gramophone Editor's Choice (The Top Ten Discs): October 2004 · 2004
Cendrillon: « Cœur sans amour »
Joyce DiDonato, Orchestra of the Royal Opera House, Covent Garden, Bertrand de Billy
Les Diapason d'or : Novembre 2012 · 2012
5 Gedichte für eine Frauenstimme: No. 5. Träume
Wesendonck Lieder · 2023
5 Gedichte für eine Frauenstimme: No. 4. Schmerzen (Arr. Mottl for Voice and Orchestra)
5 Gedichte für eine Frauenstimme: No. 3. Im Treibhaus (Arr. Mottl for Voice and Orchestra)
5 Gedichte für eine Frauenstimme: No. 2. Stehe stehe still! (Arr. Mottl for Voice and Orchestra)
5 Gedichte für eine Frauenstimme: No. 1. Der Engel (Arr. Mottl for Voice and Orchestra)
Great Scott, Act 2: Center Stage (Arden, Sid, Tommy)
Jake Heggie
Great Scott · 2017
Great Scott, Act 2: Quartet (Arden, Tatyana, Winnie, Roane)
Great Scott, Act 2: “Triumph for American Opera!” (Eric, Winnie, Roane, Arden, Anthony, Wendell, Tatyana)
Great Scott, Act 2: “Thank yu for your wonderful support” (Winnie, Arden)
Great Scott, Act 2: Curtain Calls (Arden, Winnie)
Great Scott, Act 2: “Io sola posso salvare Pompei” (Arden, Tatyana, Wendell, Anthony, Chorus)
Great Scott, Act 2: Rosa’s Prayer (Arden, Tatyana, Wendell, Anthony, Tommy, Chorus)
Great Scott, Act 2: Rosa’s Mad Scene (Arden, Tatyana, Wendell, Anthony, Chorus)
Great Scott, Act 2: “Arden! You’re not dressed for the mad scene!” (Roane, Arden)
Great Scott, Act 2: “All that you leave behind” (Arden, Bazzetti)
Great Scott, Act 2: “Look for me, I’m there” (Arden, Bazzetti)
Great Scott, Act 2: “Buona sera, Rosa” (Arden, Bazzetti)
Great Scott, Act 2: “You’ll never be her” (Arden)
Great Scott, Act 2: “I don’t care how good ’what’ was” (Roane, Arden, Eric, Anthony, Wendell)
Great Scott, Act 2: Sid and Arden (Arden, Sid, Roane)
Great Scott, Act 2: “I thought that went extremely well” (Anthony, Arden, Wendell, Tommy, Eric, Tatyana)
Great Scott, Act 2: Rosa Dolorosa, Act One (Arden, Wendell, Anthony, Tatyana, Tommy, Chorus)
Great Scott, Act 2: “Arden, you have seen the future” (Arden, Winnie, Eric, Roane, Wendell, Anthony)
Great Scott, Act 1: “It’s a disaster” (Eric, Winnie, Wendell, Arden, Tatyana, Anthony, Chorus)
Great Scott, Act 1: “I get scared, too, Tommy” (Arden, Tommy, Eric)
Great Scott, Act 1: Rehearsal, Part Two (Roane, Wendell, Anthony, Eric, Tatyana, Arden, Tommy, Chorus)
Great Scott, Act 1: “Sorry Tommy’s late” (Sid, Arden, Tommy, Winnie, Roane)
Great Scott, Act 1: “Oh, Mrs. F” (Arden, Winnie)
Great Scott, Act 1: Duet Scene (Arden, Winnie)
Great Scott, Act 1: Ensemble and Cabaletta (Arden, Tatyana, Eric, Winnie, Anthony, Wendell, Roane, Chorus)
Great Scott, Act 1: “Five years ago…” (Arden)
Great Scott, Act 1: “Vesuvio, il mio unico amico” (Arden, Winnie, Tatyana, Wendell)
Great Scott, Act 1: The Wedding Procession from Rosa Dolorosa (Arden, Tatyana, Eric, Winnie, Anthony, Wendell, Roane, Chorus)
Silent Night
Joyce DiDonato, Brentano String Quartet
Into The Fire · 2018
Morgen!, op. 27/4
Camille Claudel: Into the Fire: VII. Epilogue – Jessie Lipscomb visits Camille Claudel, Montdevergues Asylum, 1929