Hair: The American Tribal Love‐Rock Musical

정규 · 컴필레이션 · 사운드트랙

Hair: The American Tribal Love‐Rock Musical (1967 original off‐Broadway and 1968 Broadway cast)

Gerome Ragni, James Rado & Galt MacDermot

2003-09-10 · 68곡 · 2시간 9분

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트랙리스트

기준 릴리스: Hair: The American Tribal Love‐Rock Musical (2003) · Official

디스크 1

1
Aquarius

Ronnie Dyson and Company

2:55
2
Donna

Gerome Ragni and Company

2:15
3
Hashish

[theatre]

0:58
4
Sodomy

Steve Curry and Company

0:55
5
Colored Spade

Lamont Washington and Company

1:13
6
Manchester England

James Rado and Company

1:21
7
I’m Black

Lamont Washington, Steve Curry, Gerome Ragni, James Rado

0:27
8
Ain’t Got No

Steve Curry, Lamont Washington, Melba Moore, Company

0:45
9
I Believe in Love

Melba Moore and Company

1:08
10
Ain’t Got No (reprise)

[theatre]

1:16
11
Air

Sally Eaton, Shelley Plimpton, Melba Moore, Company

1:30
12
Initials

[theatre]

0:56
13
I Got Life

James Rado and Company

3:08
14
Going Down

Gerome Ragni and Company

2:22
15
Hair

James Rado, Gerome Ragni, Company

3:01
16
My Conviction

Jonathan Kramer

1:41
17
Easy to Be Hard

Lynn Kellogg

2:40
18
Don’t Put It Down

Gerome Ragni and Steve Curry

2:04
19
Frank Mills

Shelley Plimpton

2:09
20
Be‐In

[theatre]

3:09
21
Where Do I Go?

James Rado and Company

2:43
22
Electric Blues

Paul Jabara and Company

2:35
23
Manchester England (reprise)

James Rado and Company

0:33
24
Black Boys

Diane Keaton, Suzannah Norstrand, Natalie Mosco

1:10
25
White Boys

Melba Moore, Lorrie Davis, Emmaretta Marks

2:30
26
Walking in Space

[theatre]

4:50
27
Abie Baby

Lorrie Davis, Lamont Washington, Ronnie Dyson, Donnie Burks

2:45
28
Three‐Five‐Zero‐Zero

[theatre]

3:10
29
What a Piece of Work Is Man / Walking in Space (reprise)

Ronnie Dyson and Walter Harris / Company

2:24
30
Good Morning Starshine

Lynn Kellogg, Melba Moore, James Rado, Gerome Ragni

2:33
31
The Bed

[theatre]

2:58
32
The Flesh Failures (Let the Sunshine In)

James Rado, Lynn Kellogg, Melba Moore, Company

3:40

디스크 2

1
Ain’t Got No

Walker Daniels, Gerome Ragni, Steve Dean, Arnold Wilkerson, Company

1:22
2
I Got Life

Walker Daniels, Marijane Maricle

2:49
3
Air

Sally Eaton, Shelley Plimpton, Jonelle Allen

1:31
4
Going Down

Gerome Ragni & Company

2:39
5
Hair

Walker Daniels, Gerome Ragni & Company

3:09
6
Dead End

Jill O’Hara & Company

2:38
7
Frank Mills

Shelley Plimpton

1:53
8
Hare Krishna

[theatre]

3:22
9
Where Do I Go?

Walker Daniels & Company

3:01
10
Electric Blues

Suzannah Evans, Linda Compton, Paul Jabara

2:32
11
Easy to Be Hard

Suzannah Evans, Linda Compton, Paul Jabara & Company

2:08
12
Manchester

Walker Daniels

1:14
13
White Boys

Jonelle Allen, Susan Batson, Alma Robinson

2:37
14
Black Boys

Linda Compton, Shelley Plimpton, Suzannah Evans

1:05
15
Walking in Space

[theatre]

4:22
16
Aquarius

[theatre]

2:17
17
Good Morning Starshine

Jill O’Hara & Company

3:52
18
Exanaplanetooch

Walker Daniels

2:38
19
The Climax

Jill O’Hara

1:52
20
Opening

[theatre] directed by Galt MacDermot

2:28
21
Red Blue and White

Arnold Soboloff, Marijane Maricle

1:45
22
Sentimental Ending

[theatre]

1:29
23
Interview with Galt MacDermot: How did you become involved with “Hair”?

Galt MacDermot

1:07
24
Interview with Galt MacDermot: What do you remember about the off‐Broadway cast recording?

Galt MacDermot

0:33
25
Interview with Galt MacDermot: And the Broadway cast recording?

Galt MacDermot

0:31
26
Interview with Galt MacDermot: In the recording session photos, you were the only person wearing a jacket and tie.

Galt MacDermot

0:14
27
Interview with Galt MacDermot: How did the two productions differ?

Galt MacDermot

1:14
28
Interview with Galt MacDermot: You were not a traditional theater composer. Did you have any models or influences?

Galt MacDermot

0:52
29
Interview with Galt MacDermot: Did “Hair” influence your later work, like “Two Gentlemen of Verona”?

Galt MacDermot

0:42
30
Interview with Galt MacDermot: “Hair” was controversial with critics and the public. Did this affect you at all?

Galt MacDermot

0:39
31
Interview with Galt MacDermot: On writing for the theater, and what makes a popular song?

Galt MacDermot

0:57
32
Interview with Galt MacDermot: Did you ever rewrite any of the “Hair” songs?

Galt MacDermot

0:23
33
Interview with Galt MacDermot: What sort of music do you write now?

Galt MacDermot

0:23
34
Interview with Galt MacDermot: Do you use synthesizers?

Galt MacDermot

0:20
35
Interview with Galt MacDermot: Have you got any advice for people who want to write for musical theater?

Galt MacDermot

0:30
36
Interview with Galt MacDermot: Does any one songs in “Hair” express your philosophy?

Galt MacDermot

0:22

앨범 크레딧

프로덕션

프로듀서
Bertrand Castelli (총괄), Daniel Guss (task)
마스터링
Vincent Caro [Vince Caro] (re)

기타

라이너 노트
Didier C. Deutsch, Daniel Guss, Elenore Lester
artwork
Rúspoli‐Rodríguez [Alexius Rúspoli‐Rodríguez]