Classics Explained: Schubert Piano Quintet "Trout" (Written and Narrated by Jeremy Siepmann)

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Classics Explained: Schubert Piano Quintet "Trout" (Written and Narrated by Jeremy Siepmann)

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기준 릴리스: Classics Explained: Schubert Piano Quintet "Trout" (Written and Narrated by Jeremy Siepmann) · Official

디스크 1

1
Introduction, origins

Jeremy Siepmann

1:39
2
Imagery, analogy and the shape of the things to come; the opening flourish

Jeremy Siepmann

1:51
3
The unusual presence of the double-bass

Jeremy Siepmann

0:54
4
A palette of tone colours and the emergence of a theme

Jeremy Siepmann

0:47
5
Trouble getting off the ground, but the key is not in doubt.

Jeremy Siepmann

0:49
6
Jumping the queue: Schubert takes a lesson from Mozart.

Jeremy Siepmann

1:33
7
Mozart demonstrates a traditional transition.

Jeremy Siepmann

0:34
8
Destination clarified

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0:07
9
Mozart confirms our arrival.

Jeremy Siepmann

0:08
10
A Schubertian shocker from a later work

Jeremy Siepmann

0:53
11
Rejoining the 'Trout', with a reminder

Jeremy Siepmann

0:27
12
The piano joins the strings with yet a third variant of the theme.

Jeremy Siepmann

0:31
13
A rhythmic motto: the 'triplet motif'

Jeremy Siepmann

1:27
14
We get it here.

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0:17
15
We get it there.

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0:18
16
We find it everywhere, even in the double-bass.

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0:28
17
The strings' answer to the piano's opening flourish

Jeremy Siepmann

0:36
18
The two-part structure of the 'answering motif'...

Jeremy Siepmann

0:24
19
...but scarcely ever the same way twice

Jeremy Siepmann

0:34
20
The piano and strings now share the material for the first time.

Jeremy Siepmann

0:42
21
Conversation as the first principle of chamber music

Jeremy Siepmann

0:44
22
Opening (introductory) section heard complete

Jeremy Siepmann

1:02
23
The violin and double-bass in partnership

Jeremy Siepmann

1:16
24
The violin and piano swap roles.

Jeremy Siepmann

1:00
25
Transition to second main theme; triplets now everywhere

Jeremy Siepmann

1:12
26
On the threshold of the new theme

Jeremy Siepmann

0:31
27
Second main theme (a 'love duet'), shared by cello and viola

Jeremy Siepmann

1:24
28
The abandonment of octaves in the piano changes the tone colour.

Jeremy Siepmann

1:08
29
A surprising change of tone and a premonition

Jeremy Siepmann

0:40
30
A return to lyricism, but the cello jumps the gun

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0:38
31
A buoyant, skipping new theme is given to the solo piano.

Jeremy Siepmann

0:36
32
Re-entry of the strings as the violin takes up the new theme

Jeremy Siepmann

0:26
33
A transitional theme, and another Schubertian key-jump

Jeremy Siepmann

1:34
34
We sense the imminent arrival of the closing theme.

Jeremy Siepmann

1:32
35
A sudden, hushed key-change introduces part two of the closing theme.

Jeremy Siepmann

0:41
36
The exposition comes to an end.

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0:32
37
Cue to complete exposition

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0:07
38
Music: exposition complete

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4:09
39
Introduction to the development; the genetic code of 'key'

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7:20
40
The contrasting aural properties of piano and violin

Jeremy Siepmann

1:03
41
The ponderous double-bass is featured in the first main theme

Jeremy Siepmann

0:49
42
The strings are liberated from servitude, but are a long way from home.

Jeremy Siepmann

0:43
43
A joyful conversation and a change of pace in the piano

Jeremy Siepmann

1:06
44
The piano takes the melodic lead again.

Jeremy Siepmann

0:32
45
A conversation between violin and piano leads to the exposition...

Jeremy Siepmann

1:21
46
...but Schubert gets it 'wrong'.

Jeremy Siepmann

1:36
47
Piano Quintet in A major "Trout", D. 667: I. Allegro vivace (Kodály Quartet feat. piano: Jenő Jandó)
9:10
48
Introduction to second movement

Jeremy Siepmann

1:53
49
The violin now takes theme one.

Jeremy Siepmann

0:29
50
The piano regains the theme.

Jeremy Siepmann

0:43
51
The violin and piano round off first section with the new 'closing' theme.

Jeremy Siepmann

0:35
52
A major change of tone: a passing cloud and a dark new key

Jeremy Siepmann

1:19
53
The piano abandons its octaves, but not its triplets, in the new 'Hungarian' theme.

Jeremy Siepmann

1:29
54
The sun returns with a new theme, in two contrasting parts.

Jeremy Siepmann

1:21
55
An evaporating dialogue between violin and piano

Jeremy Siepmann

0:59
56
A major mood change as twilight falls

Jeremy Siepmann

1:12
57
Cue to whole movement

Jeremy Siepmann

0:33
58
Piano Quintet in A major "Trout", D. 667: II. Andante (Kodály Quartet feat. piano: Jenő Jandó)
7:31

디스크 2

1
Introduction to the Scherzo - And a Clear Four-Bar Phrase...

Jeremy Siepmann

1:38
2
..."Answered" by Two Two-Bar Phrases

Jeremy Siepmann

0:21
3
A Disconcerting "Echo"

Jeremy Siepmann

1:03
4
Expectation, Frustration and Surprise

Jeremy Siepmann

0:27
5
The Phrase Length Exands From Nine to Fourteen Bars

Jeremy Siepmann

0:37
6
The Beginning of the Second Half...

Jeremy Siepmann

1:08
7
... or Should It Go From G minor to D major?

Jeremy Siepmann

0:09
8
Doubts Are Sown as the Tonality Becomes Elusive.

Jeremy Siepmann

0:49
9
A Varied Reprise of Part One, and the End of the Scherzo Proper

Jeremy Siepmann

0:33
10
A Conversational Start to the Trio Section

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0:40
11
Another Schubertian Phrase Extension

Jeremy Siepmann

0:26
12
Two Overlapping Phrases Add Up to a Single Theme.

Jeremy Siepmann

0:22
13
The Piano Adds a Third Phrase to the Overlap.

Jeremy Siepmann

0:32
14
The Overlaps Continue as the Key Drifts Downwads

Jeremy Siepmann

0:36
15
Another Schubertian Key-Jump, Now to B flat

Jeremy Siepmann

0:46
16
A Dramatic Transformation of Mood

Jeremy Siepmann

0:53
17
Awakening From a Dream: The Main Theme's Return

Jeremy Siepmann

0:52
18
Cue to Complete Scherzo

Jeremy Siepmann

0:12
19
Piano Quintet in A major "Trout", D. 667: III. Scherzo: Presto (Kodály Quartet feat. piano: Jenő Jandó)
3:52
20
Enter the Trout, at Last; A Meeting With the Original

Jeremy Siepmann

0:31
21
Music: "Die Forelle"

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2:00
22
Back to the Quintet: The Strings, Headed by the Violin, Introduce the Theme.

Jeremy Siepmann

1:25
23
The First Variation

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1:42
24
The Second Variation

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1:14
25
The Third Variation

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1:20
26
The Fourth Variation, Part One

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1:34
27
The Fourth Variation, Part Two

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0:58
28
The Fifth Variation

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2:45
29
The Final Variation, Part One: Violin and Piano Alone Introduce the Theme

Jeremy Siepmann

0:32
30
The Final Variation, Part Two: The Cello Takes the Tune.

Jeremy Siepmann

0:25
31
The Final Variation, Part Three: Piano and Violin Return as a Duo...

Jeremy Siepmann

0:25
32
The Final Variation, Part Four: ...as Do the Viola and Cello.

Jeremy Siepmann

0:18
33
The Final Variation, Part Five: The Entire Ensemble Is Reunited.

Jeremy Siepmann

0:40
34
Piano Quintet in A major "Trout", D. 667: IV. Theme: Andantino (Kodály Quartet feat. piano: Jenő Jandó)
7:10
35
Introduction to the Finale: Schubert as Wizard of Repetition

Jeremy Siepmann

2:18
36
Easily Overlooked: The Accompaniment From Cello and Double-Bass

Jeremy Siepmann

0:36
37
Contrasts of Timbre and Register

Jeremy Siepmann

0:59
38
A Repetition, and Yet Not a Repetition

Jeremy Siepmann

0:08
39
A Journey Begun; The Phenomenon of Musical Gravity

Jeremy Siepmann

0:23
40
The Journey Completed

Jeremy Siepmann

0:17
41
The Source of Musical Gravity

Jeremy Siepmann

0:23
42
Music: Saint-Saens - The Carnival of the Animals "The Pianists"

Jeremy Siepmann

0:28
43
A Scale of Shifting Tensions

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0:50
44
Music: Beethoven, Symphony No. 1 (Finale)

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0:38
45
Back to Schubert

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0:40
46
The Piano Embellishes a Scalewise Descent.

Jeremy Siepmann

0:19
47
A Retrospective Moment

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0:33
48
Repetition More Apparent Then Real

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1:02
49
A Taste of Phrase Rhythm

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1:26
50
Shifting Patterns of Accentuation

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0:28
51
The Section Reviewed

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0:16
52
An Increasingly Sophisticated Texture as Parts Interact

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0:46
53
More Phrase Rhythm

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0:30
54
A Repetition From the Strings...

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0:11
55
... and an Answer From the Piano

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0:13
56
In Transition to the Secondary Key

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0:51
57
The Origin of the Second Theme

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0:19
58
The Second Main Theme

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0:39
59
The Closing Section Begins, With a Question Answered.

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0:43
60
The Question Repeated, a Slightly Different Answer

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0:28
61
First Theme of Closing Section Reviewed

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1:00
62
Remembrance of Things Past

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0:28
63
The Piano and Strings Argue Over the Harmony.

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1:14
64
Emergence of the Final Theme

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0:25
65
An Unexpected Thunderstorm

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0:51
66
The Sound of Silence

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1:30
67
Cue to Complete Finale

Jeremy Siepmann

1:00
68
Piano Quintet in A major "Trout", D. 667: V. Finale: Allegro giusto (Kodály Quartet feat. piano: Jenő Jandó)
6:48

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