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Handel: Samson

정규

Handel: Samson

Harry Christophers

2002 · 81곡 · 3시간 25분

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트랙리스트

기준 릴리스: Handel: Samson (2002) · Official

디스크 1

1

Samson, oratorio, HWV 57: Act 1. Scene 1. No. 1. Overture. Andante - Adagio - Allegro - Menuetto

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

7:47

2

Samson, oratorio, HWV 57: Act 1. Scene 1. No. 2. Recitative. This day, a solemn feast to Dagon held,

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

0:32

3

Samson, oratorio, HWV 57: Act 1. Scene 1. No. 3. Chorus. Awake the trumpet's lofty sound!

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

1:54

4

Samson, oratorio, HWV 57: Act 1. Scene 1. No. 4. Air. Ye men of Gaza, hither bring

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

3:52

5

Samson, oratorio, HWV 57: Act 1. Scene 1. No. 5. Chorus. Awake the trumpet's lofty sound!

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

0:29

6

Samson, oratorio, HWV 57: Act 1. Scene 1. No. 6. Air. Loud as the thunder's awful voice,

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

3:07

7

Samson, oratorio, HWV 57: Act 1. Scene 1. No. 7. Air. Then free from sorrow, free from thrall,

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

2:35

8

Samson, oratorio, HWV 57: Act 1. Scene 1. No. 5. Chorus. Awak the trumpet's lofty sound!

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

0:28

9

Samson, oratorio, HWV 57: Act 1. Scene 1. No. 8. Recitative. Why by an angel was my birth foretold,

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

0:52

10

Samson, oratorio, HWV 57: Act 1. Scene 1. No. 9. Air. Torments alas! are not confin'd

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

3:57

11

Samson, oratorio, HWV 57: Act 1. Scene 2. No. 10. Recitative. O charge beyond report, thought, or belief!

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

0:57

12

Samson, oratorio, HWV 57: Act 1. Scene 2. No. 11. Air. O mirror of our fickle state!

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

2:44

13

Samson, oratorio, HWV 57: Act 1. Scene 2. No. 12. Recitative. Whom have I to complain of but myself,

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

2:36

14

Samson, oratorio, HWV 57: Act 1. Scene 2. No. 13A. Air. Total eclipse! No sun, no moon,

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

3:29

15

Samson, oratorio, HWV 57: Act 1. Scene 2. No. 13B. Recitative. Since light so necessary is to life,

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

1:12

16

Samson, oratorio, HWV 57: Act 1. Scene 2. No. 14. Chorus. Oh first created beam! And thou great word

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

3:35

17

Samson, oratorio, HWV 57: Act 1. Scene 2. No. 15. Recitative. Ye see, my friends, how woes enclose me round

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

2:00

18

Samson, oratorio, HWV 57: Act 1. Scene 3. No. 16. Recitative. Brethren and men of Dan, say, where is my son,

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

0:33

19

Samson, oratorio, HWV 57: Act 1. Scene 3. No. 17. Recitative. Oh miserable change! Is this the man,

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

0:45

20

Samson, oratorio, HWV 57: Act 1. Scene 3. No. 18. Recitative. Oh ever failing trust in mortal strength!

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

0:15

21

Samson, oratorio, HWV 57: Act 1. Scene 3. No. 19. Air. God of our fathers, what is man?

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

3:01

22

Samson, oratorio, HWV 57: Act 1. Scene 3. No. 20. Recitative. The good we wish for, often proves our bane,

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

1:04

23

Samson, oratorio, HWV 57: Act 1. Scene 3. No. 21. Air. Thy glorious deed inspir'd my tongue

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

4:36

24

Samson, oratorio, HWV 57: Act 1. Scene 3. No. 22. Recitative. Justly these evils have befall'n thy son;

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

1:36

25

Samson, oratorio, HWV 57: Act 1. Scene 3. No. 23. Recitative. My griefs for this

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

0:54

26

Samson, oratorio, HWV 57: Act 1. Scene 3. No. 24. Air. Why does the God of Israel sleep?

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

4:35

27

Samson, oratorio, HWV 57: Act 1. Scene 3. No. 25. Recitative. There lies our hope! True prophet may'st thou be,

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

0:21

28

Samson, oratorio, HWV 57: Act 1. Scene 3. No. 26. Chorus. Then shall they know, that he whose name

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

2:19

29

Samson, oratorio, HWV 57: Act 1. Scene 3. No. 27. Recitative. For thee, my dearest son, must thou meanwhile / No. 28. Recitat

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

2:57

30

Samson, oratorio, HWV 57: Act 1. Scene 3. No. 29. Air. Then long eternity shall greet your bliss

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

5:27

31

Samson, oratorio, HWV 57: Act 1. Scene 3. No. 30. Chorus. Then round about the starry throne

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

2:10

디스크 2

1

Samson, oratorio, HWV 57- Act 2. Scene 1. No. 31. Recitative. Despair not thus! You once were God's delight,

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

1:26

2

Samson, oratorio, HWV 57- Act 2. Scene 1. No. 32. Air. Just are the ways of God to man,

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

3:26

3

Samson, oratorio, HWV 57- Act 2. Scene 1. No. 33. Recitative. My evils hopeless are! One pray'r remains-

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

0:46

4

Samson, oratorio, HWV 57- Act 2. Scene 1. No. 34. Air. Return, oh God of hosts! Behold - No. 35. Chorus. To dust his glory th

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

8:39

5

Samson, oratorio, HWV 57- Act 2. Scene 2. No. 36. Recitative. But who is this, that so bedeck'd and gay

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

3:16

6

Samson, oratorio, HWV 57- Act 2. Scene 2. No. 37. Air. With plaintive notes and am'rous moan,

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

7:06

7

Samson, oratorio, HWV 57- Act 2. Scene 2. No. 38. Recitative. Alas! Th'event was worse than I foresaw;

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

0:55

8

Samson, oratorio, HWV 57- Act 2. Scene 2. No. 39. Air. Your charms to ruin led the way,

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

3:37

9

Samson, oratorio, HWV 57- Act 2. Scene 2. No. 40. Recitative. Forgive what's done, nor think of what's past cure

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

0:30

10

Samson, oratorio, HWV 57- Act 2. Scene 2. No. 41. Duet. My faith and truth, oh Samson, prove, - No. 42. Chorus. Her faith and

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

6:15

11

Samson, oratorio, HWV 57- Act 2. Scene 2. No. 43. Air. To fleeting pleasures make your court, - No. 42. Chorus. Her faith and

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

4:54

12

Samson, oratorio, HWV 57- Act 2. Scene 2. No. 44. Recitative. Ne'er think of that! I know thy warbling charms

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

1:27

13

Samson, oratorio, HWV 57- Act 2. Scene 2. No. 45. Duet. Traitor to love! I'll sue no more - Scene 3. No. 46. Recitative. She'

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

1:57

14

Samson, oratorio, HWV 57- Act 2. Scene 3. No. 47. Air. It is not virtue, valour, wit,

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

4:13

15

Samson, oratorio, HWV 57- Act 2. Scene 3. No. 48. Recitative. Favour'd of Heaven is he, who finds one true,

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

0:22

16

Samson, oratorio, HWV 57- Act 2. Scene 3. No. 49. Chorus. To man God's universal law

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

2:31

17

Samson, oratorio, HWV 57- Act 2. Scene 4. No. 50. Recitative. No words of peace, no voice enchanting fear,

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

1:38

18

Samson, oratorio, HWV 57- Act 2. Scene 4. No. 51. Air. Honour and arms scorn such a foe

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

5:41

19

Samson, oratorio, HWV 57- Act 2. Scene 4. No. 52. Recitative. Put on your arms,

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

0:11

20

Samson, oratorio, HWV 57- Act 2. Scene 4. No. 53. Air. My strength is from the living God

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

2:54

21

Samson, oratorio, HWV 57- Act 2. Scene 4. No. 54. Recitative. With thee! A man condemn'd, a slave enroll'd,

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

0:42

22

Samson, oratorio, HWV 57- Act 2. Scene 4. No. 55. Duet. Go, baffled coward, go,

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

2:17

23

Samson, oratorio, HWV 57- Act 2. Scene 4. No. 56. Recitative. Here lie the proff- if Dagon be thy God,

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

0:47

24

Samson, oratorio, HWV 57- Act 2. Scene 4. No. 57. Chorus. Hear, Jacob's God, Jehovah, hear!

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

3:15

25

Samson, oratorio, HWV 57- Act 2. Scene 4. No. 58. Recitative. Dagon, arise! Attend thy sacred feast!

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

0:14

26

Samson, oratorio, HWV 57- Act 2. Scene 4. No. 59A. Air. To song and dance we give the day,

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

4:05

27

Samson, oratorio, HWV 57- Act 2. Scene 4. No. 59B. Chorus. To song and dance we give the day,

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

1:58

28

Samson, oratorio, HWV 57- Act 2. Scene 4. No. 60. Chorus. Fix'd in his everlasting seat,

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

3:03

디스크 3

1

Act 3 - More trouble is behind: for Harapha

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

1:24

2

Presuming slave, to move their wrath

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

3:01

3

Reflect then, Samson

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

0:51

4

With thunder arm'd, great God, arise!

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

2:55

5

Be of good courage

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

2:24

6

Thus when the sun from's wat'ry bed

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

3:54

7

With might endued above the sons of men

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

0:26

8

The Holy One of Israel be thy guide

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

2:23

9

Old Manoa with youthful steps

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

0:26

10

Great Dagon has subdued our foe

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

4:29

11

What noise of joy was that?

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

0:48

12

How willing my paternal love

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

3:37

13

Your hopes of his deliv'ry seem not vain

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

1:57

14

Noise call you this?

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

0:41

15

Where shall I run?

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

3:49

16

Ye sons of Israel, now lament

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

3:21

17

Proceed we hence

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

0:47

18

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

3:06

19

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

1:11

20

Glorious hero, may the grave

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

5:12

21

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

1:02

22

Let the bright Seraphim in burning row

George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers

6:26

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