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Leonard Bernstein at Harvard / The Norton Lectures 1973: "The Unanswered Question"

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Leonard Bernstein at Harvard / The Norton Lectures 1973: "The Unanswered Question"

Leonard Bernstein

2018 · 312곡 · 12시간 42분

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기준 릴리스: Leonard Bernstein at Harvard / The Norton Lectures 1973: "The Unanswered Question" (2018) · Official

디스크 1

1

Vol. 1: Musical Phonology: "First of all..."

2:01

2

Vol. 1: Musical Phonology: "Perhaps the principal thing..."

1:40

3

Vol. 1: Musical Phonology: "Let me start..."

0:53

4

Vol. 1: Musical Phonology: "This is not just a sentimental anecdote..."

1:52

5

Vol. 1: Musical Phonology: "From this time..."

2:29

6

Vol. 1: Musical Phonology: "But how do we investigate..."

2:52

7

Vol. 1: Musical Phonology: "Now you can see..."

1:29

8

Vol. 1: Musical Phonology: "Universality is a big word..."

2:31

9

Vol. 1: Musical Phonology: "Other linguists..."

2:46

10

Vol. 1: Musical Phonology: "I began by imagining myself..."

2:12

11

Vol. 1: Musical Phonology: "Well, then I thought..."

2:06

12

Vol. 1: Musical Phonology: "Let's make a simple analogy..."

2:03

13

Vol. 1: Musical Phonology: "Maybe even a divine one..."

1:33

14

Vol. 1: Musical Phonology: "But where do these notes come from?"

2:22

15

Vol. 1: Musical Phonology: "This acoustical phenomenon..."

2:08

16

Vol. 1: Musical Phonology: "All these upper notes..."

1:52

17

Vol. 1: Musical Phonology: "The first overtone..."

2:33

18

Vol. 1: Musical Phonology: "But more of that later..."

1:56

19

Vol. 1: Musical Phonology: "But let's not make the mistake..."

2:21

20

Vol. 1: Musical Phonology: "And that's how the tempered clavichord..."

2:12

21

Vol. 1: Musical Phonology: "Now this is a substantive universal..."

2:01

디스크 2

1

Vol. 1: Musical Phonology: "But let's be careful..."

1:43

2

Vol. 1: Musical Phonology: "And there is always that blue note..."

1:37

3

Vol. 1: Musical Phonology: "But even these twelve tones..."

1:51

4

Vol. 1: Musical Phonology: "I trust you realize..."

2:16

5

Vol. 1: Musical Phonology: "And again comes a great leap..."

2:32

6

Vol. 1: Musical Phonology: "Now this means..."

1:38

7

Vol. 1: Musical Phonology: "This is not to say that there were no drastic changes..."

2:28

8

Vol. 1: Musical Phonology: "But meanwhile we are still in the Golden Age..."

2:55

9

Vol. 1: Musical Phonology: "So, we're in the midst of a chromatic adventure..."

1:28

10

Vol. 1: Musical Phonology: "And all by those progressions..."

1:34

11

Vol. 1: Musical Phonology: "Now, I must point out..."

1:57

12

Vol. 1: Musical Phonology: "Do you realize..."

1:32

13

Symphony no. 40 in G minor: I. Molto allegro

Wolfgang Amadeus Mozart

8:19

14

Symphony no. 40 in G minor: II. Andante

Wolfgang Amadeus Mozart

8:31

15

Symphony no. 40 in G minor: III. Menuetto. Allegretto - Trio

Wolfgang Amadeus Mozart

4:38

16

Symphony no. 40 in G minor: IV. Finale. Allegro assai

Wolfgang Amadeus Mozart

6:10

디스크 3

1

Vol. 2: Musical Syntax: "Every once in a while..."

1:44

2

Vol. 2: Musical Syntax: "Last week..."

2:24

3

Vol. 2: Musical Syntax: "Amen, says Noam Chomsky..."

2:09

4

Vol. 2: Musical Syntax: "I suppose what Chomsky is really after..."

2:49

5

Vol. 2: Musical Syntax: "So, let's pull up our socks..."

1:36

6

Vol. 2: Musical Syntax: "All right, let's try another one..."

2:08

7

Vol. 2: Musical Syntax: "Why am I taking your time..."

2:12

8

Vol. 2: Musical Syntax: "Well then..."

1:48

9

Vol. 2: Musical Syntax: "I think it follows..."

1:53

10

Vol. 2: Musical Syntax: "But first, what are these principles..."

1:50

11

Vol. 2: Musical Syntax: "Transformational grammar..."

1:36

12

Vol. 2: Musical Syntax: "But now just think of that sentence..."

1:02

13

Vol. 2: Musical Syntax: "Since this is not a linguistics class..."

1:49

14

Vol. 2: Musical Syntax: "Take the passive transformation..."

1:51

15

Vol. 2: Musical Syntax: "Well, it hasn't brought us there..."

1:51

16

Vol. 2: Musical Syntax: "Good - now just as three notes are linked together..."

1:44

17

Vol. 2: Musical Syntax: "Now let's go back..."

1:49

18

Vol. 2: Musical Syntax: "Now we are ready..."

2:27

19

Vol. 2: Musical Syntax: "Now I want to take you..."

2:05

20

Vol. 2: Musical Syntax: "Well, transformation, deletion, embedding, pronominalization..."

1:49

21

Vol. 2: Musical Syntax: "I am sure I don't have to trouble..."

2:16

22

Vol. 2: Musical Syntax: "Here I go..."

1:31

23

Vol. 2: Musical Syntax: "I have asked myself..."

1:55

24

Vol. 2: Musical Syntax: "I became so fascinated..."

1:43

디스크 4

1

Vol. 2: Musical Syntax: "Let's take one such utterance..."

2:01

2

Vol. 2: Musical Syntax: "Now imagine..."

1:29

3

Vol. 2: Musical Syntax: "Now let's see..."

2:33

4

Vol. 2: Musical Syntax: "Mozart's G minor Symphony..."

1:21

5

Vol. 2: Musical Syntax: "Now our job is..."

2:27

6

Vol. 2: Musical Syntax: "That introductory accompaniment..."

1:26

7

Vol. 2: Musical Syntax: "What does this three-note design mean..."

1:55

8

Vol. 2: Musical Syntax: "The reason I pick symmetry..."

2:13

9

Vol. 2: Musical Syntax: "Now from here on..."

2:05

10

Vol. 2: Musical Syntax: "And once again, we are back..."

1:10

11

Vol. 2: Musical Syntax: "By far the chief transformational principle..."

1:43

12

Vol. 2: Musical Syntax: "You see, one of the great failings..."

1:58

13

Vol. 2: Musical Syntax: "Most people hearing Mozart's opening..."

1:46

14

Vol. 2: Musical Syntax: "So what, you ask..."

1:59

15

Vol. 2: Musical Syntax: "And if you are still not convinced..."

2:32

16

Vol. 2: Musical Syntax: "These ambiguities..."

1:20

17

Vol. 2: Musical Syntax: "For instance, in this same first movement..."

1:59

18

Vol. 2: Musical Syntax: "So all these syntactic transformations of the same material..."

1:14

19

Vol. 2: Musical Syntax: "He talks about this sonnet..."

1:55

20

Vol. 2: Musical Syntax: "Because now it's time..."

1:35

21

Vol. 2: Musical Syntax: "But now let's listen to..."

2:09

22

Vol. 2: Musical Syntax: "Listen to the whole exposition..."

2:03

23

Vol. 2: Musical Syntax: "Development coming up..."

2:08

24

Vol. 2: Musical Syntax: "The circle of fifths again..."

2:03

25

Vol. 2: Musical Syntax: "And that was all one single sentence..."

1:18

디스크 5

1

Vol. 3: Musical Semantics: "The other day..."

2:37

2

Vol. 3: Musical Semantics: "The first would show us one meaning..."

1:13

3

Vol. 3: Musical Semantics: "Think of this famous passage..."

2:23

4

Vol. 3: Musical Semantics: "A linguist would say..."

1:53

5

Vol. 3: Musical Semantics: "Well, I replied, Chomsky would say..."

2:06

6

Vol. 3: Musical Semantics: "Of course, that last metaphorical leap..."

1:50

7

Vol. 3: Musical Semantics: "Terrific, said my blonde inquisitor..."

1:44

8

Vol. 3: Musical Semantics: "In fact, when you think of the number..."

2:16

9

Vol. 3: Musical Semantics: "All right, first let's look briefly..."

2:42

10

Vol. 3: Musical Semantics: "Playing, that's the word..."

1:48

11

Vol. 3: Musical Semantics: "But does this Stravinskian game concept..."

2:31

12

Vol. 3: Musical Semantics: "There are three specific ways..."

2:03

13

Vol. 3: Musical Semantics: "Now, having defined my usages of metaphor..."

1:59

14

Vol. 3: Musical Semantics: "And here we are in trouble..."

1:06

15

Vol. 3: Musical Semantics: "Are we feeling what Beethoven supposedly felt..."

1:45

16

Vol. 3: Musical Semantics: "We will never know..."

2:23

17

Vol. 3: Musical Semantics: "Now, if we accept this general idea..."

1:40

18

Vol. 3: Musical Semantics: "In our last lecture..."

1:47

19

Vol. 3: Musical Semantics: "We all recognize antithesis..."

1:47

20

Vol. 3: Musical Semantics: "It can and it does..."

1:24

21

Vol. 3: Musical Semantics: "And again, as in the poem..."

2:14

22

Vol. 3: Musical Semantics: "In fact, it has been authoritatively suggested..."

2:46

23

Vol. 3: Musical Semantics: "We can expand the idea..."

2:51

24

Vol. 3: Musical Semantics: "What do you suppose..."

2:51

25

Vol. 3: Musical Semantics: "What's seriously striking..."

2:16

26

Vol. 3: Musical Semantics: "So why the Pastorale in this lecture..."

2:42

27

Vol. 3: Musical Semantics: "Let's begin at the beginning..."

1:41

28

Vol. 3: Musical Semantics: "But what of the more obvious melodic material..."

1:48

29

Vol. 3: Musical Semantics: "But to develop how..."

2:38

30

Vol. 3: Musical Semantics: "Now we have an insight..."

2:13

31

Vol. 3: Musical Semantics: "But wait..."

1:53

32

Vol. 3: Musical Semantics: "But why were just those two notes added..."

2:05

디스크 6

1

Vol. 3: Musical Semantics: "The metaphor arises..."

2:48

2

Vol. 3: Musical Semantics: "But in the ensuing four bars..."

2:11

3

Vol. 3: Musical Semantics: "But that's not the main event..."

2:05

4

Vol. 3: Musical Semantics: "Well, that's the beginning..."

1:58

5

Vol. 3: Musical Semantics: "That's one of the questions..."

2:00

6

Vol. 3: Musical Semantics: "This interference of the two frequencies..."

2:04

7

Vol. 3: Musical Semantics: "But what are we to say..."

1:40

8

Vol. 3: Musical Semantics: "It is to be found..."

1:39

9

Vol. 3: Musical Semantics: "Now that's one way of looking..."

2:03

10

Vol. 3: Musical Semantics: "At this point..."

1:36

11

Vol. 3: Musical Semantics: "Even if you can succeed..."

2:42

12

Symphony no. 6 in F major "Pastoral" op. 68: I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo

Ludwig van Beethoven

11:07

14

Symphony no. 6 in F major "Pastoral" op. 68: II. Szene am Bach. Andante molto moto

Ludwig van Beethoven

13:42

15

Symphony no. 6 in F major "Pastoral" op. 68: III. Lustiges Zusammensein der Landleute. Allegro

Ludwig van Beethoven

5:28

16

Symphony no. 6 in F major "Pastoral" op. 68: IV. Gewitter, Sturm. Allegro

Ludwig van Beethoven

3:43

16

Symphony no. 6 in F major "Pastoral" op. 68: V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto

Ludwig van Beethoven

10:15

디스크 7

1

Vol. 4: The Delights and Dangers of Ambiguity: "When I first wrote down the title..."

1:41

2

Vol. 4: The Delights and Dangers of Ambiguity: "Part of the danger..."

2:02

3

Vol. 4: The Delights and Dangers of Ambiguity: "The idea of ambiguity..."

1:32

4

Vol. 4: The Delights and Dangers of Ambiguity: "Similarly, in our second lecture..."

2:06

5

Vol. 4: The Delights and Dangers of Ambiguity: "Then what's the magic secret..."

2:53

6

Vol. 4: The Delights and Dangers of Ambiguity: "Enough of ambiguity..."

1:52

7

Vol. 4: The Delights and Dangers of Ambiguity: "The irony of all this..."

2:07

8

Vol. 4: The Delights and Dangers of Ambiguity: "But, mind you..."

1:53

9

Vol. 4: The Delights and Dangers of Ambiguity: "Where music was concerned..."

1:29

10

Vol. 4: The Delights and Dangers of Ambiguity: "Only think of..."

1:58

11

Vol. 4: The Delights and Dangers of Ambiguity: "And Chopin: well, we can't ignore Chopin..."

2:53

12

Vol. 4: The Delights and Dangers of Ambiguity: "And then, in the same little mazurka..."

1:56

13

Vol. 4: The Delights and Dangers of Ambiguity: "Foolish questions..."

1:34

14

Vol. 4: The Delights and Dangers of Ambiguity: "Let me try to read you..."

1:56

15

Vol. 4: The Delights and Dangers of Ambiguity: "Listen to this..."

1:45

16

Vol. 4: The Delights and Dangers of Ambiguity: "They began to intermingle..."

1:30

17

Vol. 4: The Delights and Dangers of Ambiguity: "The pivotal point..."

1:39

18

Vol. 4: The Delights and Dangers of Ambiguity: "So there is a dramatic change..."

1:50

19

Vol. 4: The Delights and Dangers of Ambiguity: "So it is after all not so surprising..."

2:31

20

Vol. 4: The Delights and Dangers of Ambiguity: "Now if you noticed..."

1:40

21

Vol. 4: The Delights and Dangers of Ambiguity: "You see, the music is trying hard..."

1:44

22

Vol. 4: The Delights and Dangers of Ambiguity: "So that instant in musical time..."

1:33

23

Vol. 4: The Delights and Dangers of Ambiguity: "Now Romeo is all stirred up..."

3:01

24

Romeo and Juliet, op. 17: I. Roméo seul: Tristesse - Bruits de concerts et de Bal - Grand fête chez Capulet: Andante malinconico e sostenuto -

Hector Berlioz

4:29

25

Romeo and Juliet, op. 17: Allegro - Larghetto espressivo -

Hector Berlioz

1:57

26

Romeo and Juliet, op. 17: Allegro -

Hector Berlioz

2:22

27

Romeo and Juliet, op. 17: Réunion des duex themes, du Larghetto et de l'Allegro

Hector Berlioz

3:46

28

Vol. 4: The Delights and Dangers of Ambiguity: "What a piece..."

2:30

29

Vol. 4: The Delights and Dangers of Ambiguity: "Quite unconsciously borrowed..."

1:50

30

Vol. 4: The Delights and Dangers of Ambiguity: "My purpose in all this..."

2:26

31

Vol. 4: The Delights and Dangers of Ambiguity: "Is it, says Wagner..."

2:15

디스크 8

1

Vol. 4: The Delights and Dangers of Ambiguity: "Every diminished seventh chord..."

1:23

2

Vol. 4: The Delights and Dangers of Ambiguity: "Now the remarkable thing is..."

2:54

3

Vol. 4: The Delights and Dangers of Ambiguity: "And this is what gives Tristan..."

2:54

4

Tristan and Isolde: Prelude and Liebestod

Richard Wagner

19:05

5

Vol. 4: The Delights and Dangers of Ambiguity: "That may be the slowest performance..."

2:25

6

Vol. 4: The Delights and Dangers of Ambiguity: "But ultimately..."

1:38

7

Vol. 4: The Delights and Dangers of Ambiguity: "Poetry has begun to show..."

1:41

8

Vol. 4: The Delights and Dangers of Ambiguity: "And when Debussy..."

1:37

9

Vol. 4: The Delights and Dangers of Ambiguity: "It's lovely, this dreaming..."

2:35

10

Vol. 4: The Delights and Dangers of Ambiguity: "For example, do you remember..."

1:45

11

Vol. 4: The Delights and Dangers of Ambiguity: "In fact, the ending of this piece..."

1:17

12

Vol. 4: The Delights and Dangers of Ambiguity: "Let me show you briefly..."

2:07

13

Vol. 4: The Delights and Dangers of Ambiguity: "This new episode that proceeds..."

1:24

14

Vol. 4: The Delights and Dangers of Ambiguity: "For instance, hardly have we had time..."

2:29

15

Vol. 4: The Delights and Dangers of Ambiguity: "Because the scale..."

1:53

16

Vol. 4: The Delights and Dangers of Ambiguity: "It's almost exactly what happens..."

1:51

17

Vol. 4: The Delights and Dangers of Ambiguity: "Literally translated..."

1:35

18

Vol. 4: The Delights and Dangers of Ambiguity: "But notice, too, that the example..."

1:34

19

Vol. 4: The Delights and Dangers of Ambiguity: "Both works have definitive beginnings..."

1:32

20

Vol. 4: The Delights and Dangers of Ambiguity: "Listen as I play..."

1:51

21

Prélude à l'après-midi d'un faune, l.86

Claude Debussy

10:25

22

Vol. 4: The Delights and Dangers of Ambiguity: "Some crazy modern music..."

1:04

디스크 9

1

Vol. 5: The Twentieth Century Crisis: "Our lecture tonight..."

0:18

2

Rapsodie espagnole, m. 54: IV. Feria

Maurice Ravel

6:34

3

Vol. 5: The Twentieth Century Crisis: "What a way to enter the twentieth century..."

1:38

4

Vol. 5: The Twentieth Century Crisis: "But 1908, if the truth to be told..."

1:28

5

Vol. 5: The Twentieth Century Crisis: "These troubling presentiments..."

2:19

6

Vol. 5: The Twentieth Century Crisis: "So, now in 1908..."

2:11

7

Vol. 5: The Twentieth Century Crisis: "This is atonality..."

2:30

8

Vol. 5: The Twentieth Century Crisis: "A charming idea..."

0:28

9

The Unanswered Question

Charles Ives

5:23

10

Vol. 5: The Twentieth Century Crisis: "Is that luminous final triad..."

2:16

11

Vol. 5: The Twentieth Century Crisis: "I have recently been reading..."

1:59

12

Vol. 5: The Twentieth Century Crisis: "We have already referred to some of those..."

3:02

13

Vol. 5: The Twentieth Century Crisis: "In any case..."

1:57

14

Vol. 5: The Twentieth Century Crisis: "But for all these reasons..."

2:46

15

Vol. 5: The Twentieth Century Crisis: "Son of Tristan..."

2:31

16

Vol. 5: The Twentieth Century Crisis: "Now you look at those first two bars..."

2:20

17

Vol. 5: The Twentieth Century Crisis: "Of course, there are lots..."

1:56

18

Vol. 5: The Twentieth Century Crisis: "It's as though a new covenant..."

1:40

19

Vol. 5: The Twentieth Century Crisis: "Trouble is, that the new musical rules..."

2:22

20

Vol. 5: The Twentieth Century Crisis: "The kind of tonal feeling..."

2:53

21

Vol. 5: The Twentieth Century Crisis: "Of course, there are those who say..."

1:40

22

Vol. 5: The Twentieth Century Crisis: "It seems somehow inevitable..."

2:17

23

Vol. 5: The Twentieth Century Crisis: "Is there possibly the beginning..."

2:47

24

Vol. 5: The Twentieth Century Crisis: "And what about Beethoven's Ninth..."

2:44

25

Vol. 5: The Twentieth Century Crisis: "These are some of the problems..."

2:40

디스크 10

1

Vol. 5: The Twentieth Century Crisis: "Now let's jump ahead..."

2:23

2

Vol. 5: The Twentieth Century Crisis: "Let's put it another way..."

2:10

3

Vol. 5: The Twentieth Century Crisis: "First of all, Berg chose a tone row..."

1:54

4

Vol. 5: The Twentieth Century Crisis: "So, all in all..."

0:52

5

Violin concerto (excerpt)

Alban Berg

2:23

6

Vol. 5: The Twentieth Century Crisis: "Fantastic..."

2:50

7

Vol. 5: The Twentieth Century Crisis: "It comes at a point..."

2:47

8

Violin concerto: II. Allegro, ma sempre rubato (excerpt)

Alban Berg

2:54

9

Vol. 5: The Twentieth Century Crisis: "If this particularly demanding lecture..."

1:21

10

Vol. 5: The Twentieth Century Crisis: "If you really have been thinking..."

2:13

11

Vol. 5: The Twentieth Century Crisis: "But while restudying this work..."

2:21

12

Vol. 5: The Twentieth Century Crisis: "The twentieth century..."

1:39

13

Vol. 5: The Twentieth Century Crisis: "What do you do if you know all this..."

2:35

14

Vol. 5: The Twentieth Century Crisis: "It's very strange, how the pieces..."

2:11

15

Vol. 5: The Twentieth Century Crisis: "What exactly was this news..."

1:59

16

Vol. 5: The Twentieth Century Crisis: "We emerge from a cinema..."

1:55

17

Vol. 5: The Twentieth Century Crisis: "As you listen to this finale..."

2:35

18

Vol. 5: The Twentieth Century Crisis: "This is Mahler..."

2:41

19

Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend

Gustav Mahler

23:00

디스크 11

1

Vol. 6: The Poetry of Earth: "I know what you are thinking..."

1:53

2

Vol. 6: The Poetry of Earth: "What about this..."

1:27

3

Vol. 6: The Poetry of Earth: "I am plaguing you with this question..."

1:46

4

Vol. 6: The Poetry of Earth: "Of course what he is really talking about..."

2:06

5

Vol. 6: The Poetry of Earth: "But it was precisely..."

1:58

6

Vol. 6: The Poetry of Earth: "Now I have just used two words..."

1:55

7

Vol. 6: The Poetry of Earth: "In fact, it was Satie, Picasso, and Cocteau..."

2:20

8

Vol. 6: The Poetry of Earth: "But our scene..."

1:53

9

Vol. 6: The Poetry of Earth: "Even in the most..."

2:03

10

Vol. 6: The Poetry of Earth: "For our purposes..."

2:11

11

Vol. 6: The Poetry of Earth: "Musicologists are always pointing..."

1:56

12

Vol. 6: The Poetry of Earth: "But bitonality does not only serve..."

2:20

13

Vol. 6: The Poetry of Earth: "Of course, polytonality can and does..."

2:10

14

Vol. 6: The Poetry of Earth: "Now what's going on..."

2:21

15

Vol. 6: The Poetry of Earth: "And while you are in that record shop..."

2:16

16

Vol. 6: The Poetry of Earth: "Of course, these asymmetries..."

1:53

17

Vol. 6: The Poetry of Earth: "Brutal it may be..."

1:32

18

Vol. 6: The Poetry of Earth: "Now, remember..."

1:59

19

Vol. 6: The Poetry of Earth: "These are two sets..."

1:59

20

Vol. 6: The Poetry of Earth: "Just cast an eye..."

2:44

21

Vol. 6: The Poetry of Earth: "Now that page of music..."

2:59

22

Vol. 6: The Poetry of Earth: "But the most striking semantic effect..."

1:39

23

Vol. 6: The Poetry of Earth: "This new aesthetic relaxation..."

2:11

24

Vol. 6: The Poetry of Earth: "Even some Germans..."

2:06

25

Vol. 6: The Poetry of Earth: "You can see how the transformation..."

1:55

26

Vol. 6: The Poetry of Earth: "Chomsky himself gives a classic example..."

2:09

27

Vol. 6: The Poetry of Earth: "Very important, the ironic element..."

2:39

28

Vol. 6: The Poetry of Earth: "So, it would seem..."

2:17

29

Vol. 6: The Poetry of Earth: "But this neoclassic approach..."

1:11

30

Vol. 6: The Poetry of Earth: "I think this is again a moment..."

2:06

31

Vol. 6: The Poetry of Earth: "It's the essence..."

2:34

32

Vol. 6: The Poetry of Earth: "If this poem were rewritten..."

1:20

디스크 12

1

Vol. 6: The Poetry of Earth: "Why have I digressed..."

1:46

2

Vol. 6: The Poetry of Earth: "Now can you understand..."

1:37

3

Vol. 6: The Poetry of Earth: "Untermeyer called this..."

1:42

4

Vol. 6: The Poetry of Earth: "Of course, with The Waste Land..."

1:17

5

Vol. 6: The Poetry of Earth: "But the thing of it all is..."

1:31

6

Vol. 6: The Poetry of Earth: "We are going to hear..."

1:35

7

Vol. 6: The Poetry of Earth: "One has only learnt to get..."

2:45

8

Vol. 6: The Poetry of Earth: "Now i propose only because..."

2:23

9

Vol. 6: The Poetry of Earth: "This union is possible only because..."

2:58

10

Vol. 6: The Poetry of Earth: "But what has all this to do with Stravinsky..."

2:22

11

Vol. 6: The Poetry of Earth: "And this is the essence..."

2:14

12

Vol. 6: The Poetry of Earth: "Look: here is a joke..."

2:02

13

Vol. 6: The Poetry of Earth: "Chilling, shattering, neoclassic..."

1:46

14

Vol. 6: The Poetry of Earth: "Stravinsky's own aesthetic pronouncements..."

2:04

15

Vol. 6: The Poetry of Earth: "But of course he was forced..."

1:31

16

Vol. 6: The Poetry of Earth: "And now we are finally ready..."

2:36

17

Vol. 6: The Poetry of Earth: "And then Mozart appears..."

2:35

18

Vol. 6: The Poetry of Earth: "But this eclecticism knows no bounds..."

1:46

19

Vol. 6: The Poetry of Earth: "Now all this I had planned to tell you..."

1:33

20

Vol. 6: The Poetry of Earth: "You think that's funny..."

2:43

21

Vol. 6: The Poetry of Earth: "How about that..."

2:56

22

Vol. 6: The Poetry of Earth: "Then came the answer..."

2:41

23

Vol. 6: The Poetry of Earth: "But why this particular misalliance..."

1:23

24

Vol. 6: The Poetry of Earth: "My words are poor..."

1:58

디스크 13

1

Oedipus Rex: Prologue: "You are about to hear a Latin version of Oedipus the King"

이고리 스트라빈스키

0:59

2

Oedipus Rex: Act I: "Caedit nos pestis"

이고리 스트라빈스키

4:06

3

Oedipus Rex: Act I: "Liberi, vos liberabo"

이고리 스트라빈스키

3:29

4

Oedipus Rex: Act I: "This is Creon, brother-in-law of Oedipus"

이고리 스트라빈스키

0:26

5

Oedipus Rex: Act I: "Respondit deus"

이고리 스트라빈스키

6:39

6

Oedipus Rex: Act I:" Oedipus questions the Fountain of Truth"

이고리 스트라빈스키

2:44

7

Oedipus Rex: Act I: "Dicere non possum"

이고리 스트라빈스키

5:23

8

Oedipus Rex: Act I: "Gloria!"

이고리 스트라빈스키

1:11

9

Oedipus Rex: Act II: "The dispute of the princes attracts the attention of Jocasta"

이고리 스트라빈스키

2:10

10

Oedipus Rex: Act II: "Nonn' erubescite, reges"

이고리 스트라빈스키

4:25

11

Oedipus Rex: Act II: "Ne probentur oracula"

이고리 스트라빈스키

3:21

12

Oedipus Rex: Act II: "Ego senem cecici"

이고리 스트라빈스키

2:08

13

Oedipus Rex: Act II: "The witness to the murder comes out of the shadow"

이고리 스트라빈스키

0:45

14

Oedipus Rex: Act II: "Adest omniscius pastor"

이고리 스트라빈스키

4:33

15

Oedipus Rex: Act II: "Nonne monstrum rescituri"

이고리 스트라빈스키

3:24

16

Oedipus Rex: Act II: "And now you are going to hear that famous monolog..."

이고리 스트라빈스키

1:39

17

Oedipus Rex: Act II: "Divum Jocastae caput mortuum!"

이고리 스트라빈스키

3:10

18

Oedipus Rex: Act II: "Ecce! Regem Oedipoda"

이고리 스트라빈스키

2:46

19

Vol. 6: The Poetry of Earth: "Va-le-di-co..."

2:06

20

Vol. 6: The Poetry of Earth: "During that decade..."

1:47

21

Vol. 6: The Poetry of Earth: "It was at this point that I wrote..."

1:43

22

Vol. 6: The Poetry of Earth: "What interests me about it..."

2:16

23

Vol. 6: The Poetry of Earth: "Is it possible..."

1:51

24

Vol. 6: The Poetry of Earth: "It's as tough in the period..."

2:52

25

Vol. 6: The Poetry of Earth: "And I believe..."

2:40

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프로덕션

프로듀서: John McClure

출처: MusicBrainz