Classics Explained: An Introduction to Ravel (Written and Narrated by Jeremy Siepmann)

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Classics Explained: An Introduction to Ravel (Written and Narrated by Jeremy Siepmann)

Maurice Ravel

2001 · 80곡 · 1시간 38분

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기준 릴리스: Classics Explained: An Introduction to Ravel (Written and Narrated by Jeremy Siepmann) (2001) · Official

디스크 1

1
Introduction; Cue to Unadorned Bolero Rhythm, Part I

Jeremy Siepmann

2:29
2
Bolero Rhythm, Part 2: An Extended Variation of, Part I

Jeremy Siepmann

0:08
3
'Motto' Rhythm Complete (Instrumentation Will Change on Each New Hearing)

Jeremy Siepmann

0:22
4
But Here We Have Snare Drums and Plucked Violas and Cellos

Jeremy Siepmann

0:23
5
Section 1: Introduction of 'the Theme' (The Only One in the Piece) By Solo Flute

Jeremy Siepmann

0:37
6
Flute continues with Part 2 of theme

Jeremy Siepmann

0:49
7
Section 2: Complete Statement of Theme by Clarinet as Flute Joins 'Motto' Group

Jeremy Siepmann

1:30
8
Introduction of 'Discordant' Harp Into the Unfolding Picture

Jeremy Siepmann

0:18
9
Section 3: Bassoon Introduces Closely Related Variant of Theme

Jeremy Siepmann

0:34
10
... but Then Veers Upwards, Slowing Rhythm and Introducting New Syncopation

Jeremy Siepmann

0:59
11
Section 4: 'Petite' E Flat Clarinet Takes Over Theme, Including Variants

Jeremy Siepmann

1:21
12
Section 5: Oboe D'Amore Takes Over Theme but Returns to Its Original Form

Jeremy Siepmann

1:34
13
Section 6: Theme Now Shared by Two Instruments: Muted Trumpet and Flute

Jeremy Siepmann

1:16
14
Section 7: Tenor saxophone takes Theme as trumpet replaces horn in 'motto'

Jeremy Siepmann

1:40
15
Section 8: Theme Taken by Soprano Saxophone, 'Espressivo'

Jeremy Siepmann

1:09
16
Section 9: Theme: Celeste, Piccolos and Horn; Motto: Flute and French Horn

Jeremy Siepmann

1:25
17
Section 10: Theme: Oboes, Horns, Clarinets; Motto: Plucked Violas and Violins

Jeremy Siepmann

2:06
18
Section 11: Theme Taken by First Trombone, Complete With Jazzy Slides

Jeremy Siepmann

1:40
19
Section 12: Theme: Flutes, Oboes, Clarinets, Sax; Motto: Bassoons, Horns, Trumpets

Jeremy Siepmann

1:14
20
Section 13: Violins at Last Take the Main Tune, Joining Massed Winds

Jeremy Siepmann

1:14
21
Section 14: Violins Divide Into Four Groups, Each 'Double-Stopping'

Jeremy Siepmann

1:04
22
Section 15: Trumpet, Trombone 2 and Tuba Join the Foreground

Jeremy Siepmann

1:18
23
Section 16: First Trombone and Soprano Saxophone 'Rejoin' Theme

Jeremy Siepmann

0:56
24
Section 17: Fortissimo; All Strings 'Double-Stopping'; Trumpets Added

Jeremy Siepmann

1:26
25
Section 18: Entire Orchestra Now Employed, 'as Loudly as Possible'

Jeremy Siepmann

1:18
26
Section 19: Sudden, Amazing Change of Key, Lurching From C to E Major

Jeremy Siepmann

1:21
27
Section 20: Key Now Lurches Back to C, as Jazzy Trombones Whiningly Protest

Jeremy Siepmann

0:37
28
Cue to Complete Performance

Jeremy Siepmann

0:20
29
Boléro (Czecho-Slovak Radio Symphony Orchestra feat. conductor: Kenneth Jean)
16:17

디스크 2

1
Opening Figure on Flute; Rising, Falling, and Then Repeated

Jeremy Siepmann

1:05
2
Same Again, With Emphasis on Delicacy of Scoring

Jeremy Siepmann

0:30
3
Answering Variant, Accompanied by Plucked Double Basses

Jeremy Siepmann

0:20
4
Reminder of Opening Figure

Jeremy Siepmann

0:18
5
... and Now Its Rhythmical Mirror Image, or Almost...

Jeremy Siepmann

0:13
6
Answering Phrase 2: A Near-Inversion, Over "James Bond" Accompaniment

Jeremy Siepmann

0:41
7
Pivotal Phrase 3, Reversing Direction but Keeping Rhythm of Phrase 2

Jeremy Siepmann

0:46
8
Reprise of Phrases 1 and 2, but With New Accompaniment

Jeremy Siepmann

0:40
9
Further Reprise of Phrase 2, Now on Violin, Accompanied by Harp

Jeremy Siepmann

0:41
10
Ma mère l'oye: I. Pavane de la belle au bois dormante (Czecho-Slovak Radio Symphony Orchestra feat. conductor: Kenneth Jean)
1:42
11
Introduction; Opening, With Multi-Metre Rising Scales From Muted Violins

Jeremy Siepmann

0:49
12
Changes of Metre Continue as Solo Oboe Introduces Theme One

Jeremy Siepmann

0:24
13
Oboe Yields to Cor Anglais for Theme Two, Against Lower (Still Muted) Strings

Jeremy Siepmann

0:45
14
Theme One Returns, Shared by Clarinet and Flute; Muted Horn Added to Accompaniment

Jeremy Siepmann

0:25
15
"Motto" Rhythm Dominates as Intensity Increases From Lower Strings to Full Orchestra

Jeremy Siepmann

0:47
16
Fear Subsides as Theme Two Returns, Again in Cor Anglais but Now in a Different Key

Jeremy Siepmann

0:32
17
Sensational Sound Effects Evoke a Wood at Night, With Screeches, Cuckooing etc.

Jeremy Siepmann

0:44
18
Texture Thins; Theme One Returns, Delicately Scored for Strings and Piccolo

Jeremy Siepmann

0:19
19
The Main Part of Movement Ends, With Waltz-Like March(!) (feat. Flute)

Jeremy Siepmann

0:29
20
Ma mère l'oye: II. Petit poucet (Tom Thumb) E (Czecho-Slovak Radio Symphony Orchestra feat. conductor: Kenneth Jean)
3:28
21
Introduction; Opening (Introductory) Bars, Followed by Theme One

Jeremy Siepmann

2:00
22
Oriental-Orchestral Equivalent of an Imperial Telephone Bell

Jeremy Siepmann

0:16
23
... Oboe "Answers" With a Very Slightly Varied Version of Theme One

Jeremy Siepmann

0:15
24
Expanded Derivative of the "Telephone Bell" Interrupts the Theme Again

Jeremy Siepmann

1:00
25
Fragments of Theme in Flutes and Cor Anglais, With "James Bond" Tag in Violins

Jeremy Siepmann

0:24
26
"Gamelan" Music From Flute and Piccolo, Accompanied by Harp, Xylophone and Strings

Jeremy Siepmann

0:32
27
Arrival of Empress; Upper Strings Yield to Winds, Celeste, Harp And (Very Discreet) Gong

Jeremy Siepmann

0:48
28
Ma mère l'oye: III. Laideronette, Impératrice des pagodese (Czecho-Slovak Radio Symphony Orchestra feat. conductor: Kenneth Jean)
3:58
29
Opening, Waltz Theme From Clarinet, With Important Downward Scale Figure in Strings

Jeremy Siepmann

0:51
30
Characteristic Pattern of Two Short Phrases Answered by a Long One

Jeremy Siepmann

0:37
31
Clarinet, Flutes and Violas, With "Sighing" Figure Derived From Downward String Motif

Jeremy Siepmann

0:21
32
Varied Reprise of Opening, Entry of the "Beast" (Contra-Bassoon); "Watch It! Watch It!"

Jeremy Siepmann

0:32
33
Again the "Beast" Growls; Again the Cautious Warning "Watch It!" From the Winds

Jeremy Siepmann

0:40
34
Derivative of Beauty's Theme From Flute, Combined With "Caution Motif" in Strings

Jeremy Siepmann

0:38
35
"Beast's Theme" Rises in Pitch With Each Successive "Growl" (Representing Hope?)

Jeremy Siepmann

0:53
36
"Beauty", "Beast" and "Caution" Motifs All Combine Simultaneously

Jeremy Siepmann

1:12
37
"Beast" (Contra-Bassoon) Climbs Ever Higher, Handing Over to Bassoon Proper

Jeremy Siepmann

0:49
38
Harp's Upward Glide Heralds the Moment of Transformation; Love Song, Fear, Release

Jeremy Siepmann

2:10
39
Ma mère l'oye: IV. Les entretiens de la belle et de la bête (Czecho-Slovak Radio Symphony Orchestra feat. conductor: Kenneth Jean)
4:14
40
Introduction; Opening Bars Are Unfurled by the Strings Alone

Jeremy Siepmann

0:41
41
The Rhythmic Basis, and Its Guises. First, a Question: "Where Went My Childhood?"

Jeremy Siepmann

1:24
42
The Question Intensified: "Oh Where Went... My Childhood?"

Jeremy Siepmann

0:15
43
The Answer, With a Falling Inflection: "Gone Is Your Childhood."

Jeremy Siepmann

0:21
44
The Plea: "Bring Back My Childhood!"

Jeremy Siepmann

0:14
45
The Response: "Seek In... Your Mem'ry. There It... Will Be."

Jeremy Siepmann

0:25
46
Ravel's Use of Tone Colour to Change the Feeling of the Music

Jeremy Siepmann

0:49
47
Further Illustration of the Same Point

Jeremy Siepmann

0:27
48
Continued

Jeremy Siepmann

1:45
49
The Nobility of the Strings

Jeremy Siepmann

0:45
50
Bells Evoked by French Horns; The Final, Opulent, Moving Climax of the Whole Suite

Jeremy Siepmann

1:12
51
Ma mère l'oye: V. Le jardin féerique (Czecho-Slovak Radio Symphony Orchestra feat. conductor: Kenneth Jean)
4:00

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